In Puta Life, Juana María Rodríguez probes the ways that sexual labor and Latina sexuality become visual phenomena. Drawing on state archives, illustrated biographies, documentary films, photojournalistic essays, graphic novels, and digital spaces, she focuses on the figure of the puta—the whore, that phantasmatic figure of Latinized feminine excess. Rodríguez’s eclectic archive features the faces and stories of women whose lives have been mediated by sex work's stigmatization and criminalization—washerwomen and masked wrestlers, porn stars and sexiles. Rodríguez...
In this debut collection, Jesse Nathan matches an exquisite feeling for the music of lines and sentences with his profound explorations of the idea of home. The book’s title comes from the word for a bit of cartilage on a baby bird’s beak, a growth that helps it break out of the egg. Shortly after the bird hatches, the tooth disappears. Like an eggtooth, Nathan’s poems are often figures for the violence of birth and, in his case, rebirth. They follow an unusual and passionate boy from his childhood on a wheat farm in the watershed of the Running Turkey Creek in rural southcentral Kansas...
In The Entanglement, philosopher Alva Noë explores the inseparability of life, art, and philosophy, arguing that we have greatly underestimated what this entangled reality means for understanding human nature.
Life supplies art with its raw materials, but art, Noë argues, remakes life by giving us resources to live differently. Our lives are permeated with the aesthetic. Indeed, human nature is an aesthetic phenomenon, and art—our most direct and authentic way of engaging the aesthetic—is the truest way of understanding ourselves. All this suggests...
“Eggtooth,” Jesse Nathan’s debut poetry collection, is alert to the wonderful and terrible things that happen beneath our feet.
In a poem titled “In a Churchyard After Dark, with Ruth,” friends “lounge in a burr oak’s buttress-root couch.” In “Between States,” the “grass sea” of the 19th century Midwest is stolen from Indigenous Americans. In “Boy With Thorns,” a locust tree’s spike — “evolved to ward off long gone / mammoths” — pierces “my plantar fascia’s rivers / of tissue.”
Nathan’s ear for language and eye for the intersection of natural splendor and trauma are...
In the midst of calls for the removal of Confederate monuments across the South, tens of thousands of museums, buildings, and other historical sites currently comprise a tourist infrastructure of the southern heritage industry. Louisiana, one of the most prominent and frequently visited states that benefit from this tourism, has more than sixty heritage sites housed in former slave plantations. These sites contain the remains, restorations, reconstructions, and replicas of antebellum slave cabins and slave quarters. In the Shadows of the Big House: Twenty-First-Century Antebellum Slave...
With Coseema off planet, Olive has bought herself some time—but the clock is ticking. After a risky rescue mission, she and her friends make their way to the center of the rebellion against Emperor Burnash, who is desperate to capture Olive and claim her power for his own. Without her journal, Olive must rely on her newfound courage to elude Burnash and help her friends. But that courage is put to the test as she and Coseema clash in a final showdown—one that will decide the fate of a star system.
The Word of the Muse, the thrilling conclusion to the Coseema Saga...
This book combines approaches from the design disciplines, humanities, and social sciences to foster interdisciplinary engagement across geographies around the identities embodied in and of peripheries. Peripheral communities bear human faces and names, necessitating specific modes of inquiry and commitments that prioritize lived human experience and cultural expression. Hence, the peripheries of this book are a question, not a given, the answers to which are contingent forms assembled around embodied identities. Peripheries are urban fringes, periphery countries in the modern world-...
This book is about two mallard ducks who constantly come and swim in the pool right outside my kitchen window of the complex where I live. Throughout the years my husband, Steve, and I created many stories about them. One day I decided that these two ducks, Tansy and Max should be the stars of my next children’s book.
This story focuses on social anxiety and having time to ourselves is very necessary. For Max, having a secret hideaway gives him peace and something to look forward to. I incorporate main characters from all of my previous books into this story....
In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close-up, particularly of the face, as grotesque and often horrifying, even as it sought to expose a character's interiority through its magnification of detail and expression. Today, large-scale...
In Feeling Media Miryam Sas explores the potentialities and limitations of media theory and media art in Japan. Opening media studies and affect theory up to a deeper engagement with works and theorists outside Euro-America, Sas offers a framework of analysis she calls the affective scale—the space where artists and theorists work between the level of the individual and larger global and historical shifts. She examines intermedia, experimental animation, and Marxist theories of the culture industries of the 1960s and 1970s in the work of artists and thinkers ranging from...