Poetry. The poems in MOUTHS attempt the impossible task of speaking outside human language and after the end of human life. That they always already fail to do so is thematized in chafing refrains, syntactic disjunctions, and the accusatory second person pronoun, which addresses at once the reader and the poetry's own uncomfortable materiality. MOUTHS is a manifestation of apocalyptic lyric: experimental, eco-critical, and feminist, its varied forms span human, animal, and insect in ever-shifting relationships of speech, song, eros, and consumption. MOUTHS addresses the...
Oil Spell gathers many of today’s dark energies—US drone strikes, environmental disaster—and asks: what kind of tool is poetry to mirror these violences? Oil Spell animates diverse influences—Dorothy Wordsworth’s journals, environmental reports of extinction and endangerment, and the Pakistani government assessments of drone strikes. Oil Spell performs the ways in which narratives of loss and narratives of everyday joy curl into one another and mutually contaminate. The beauty that results is a troubled reflection, like a rainbow in a slick of oil.
In times fraught with ecological and individual loss, Claire Marie Stancek’s wyrd] bird grapples with both the necessity and apparent impossibility of affirming mystical experience. It is at once a book-length lyric essay on the 12th-century German mystic Hildegard of Bingen, a dream journal, a fragmentary notebook, a collection of poems, and a scrapbook of photographic ephemera. Stancek follows Hildegard as she guides the poet through an underworld of climate catastrophe and political violence populated by literary, mythical, and historical figures from Milton’s Eve to...
In Puta Life, Juana María Rodríguez probes the ways that sexual labor and Latina sexuality become visual phenomena. Drawing on state archives, illustrated biographies, documentary films, photojournalistic essays, graphic novels, and digital spaces, she focuses on the figure of the puta—the whore, that phantasmatic figure of Latinized feminine excess. Rodríguez’s eclectic archive features the faces and stories of women whose lives have been mediated by sex work's stigmatization and criminalization—washerwomen and masked wrestlers, porn stars and sexiles. Rodríguez...
In this debut collection, Jesse Nathan matches an exquisite feeling for the music of lines and sentences with his profound explorations of the idea of home. The book’s title comes from the word for a bit of cartilage on a baby bird’s beak, a growth that helps it break out of the egg. Shortly after the bird hatches, the tooth disappears. Like an eggtooth, Nathan’s poems are often figures for the violence of birth and, in his case, rebirth. They follow an unusual and passionate boy from his childhood on a wheat farm in the watershed of the Running Turkey Creek in rural southcentral Kansas...
In The Entanglement, philosopher Alva Noë explores the inseparability of life, art, and philosophy, arguing that we have greatly underestimated what this entangled reality means for understanding human nature.
Life supplies art with its raw materials, but art, Noë argues, remakes life by giving us resources to live differently. Our lives are permeated with the aesthetic. Indeed, human nature is an aesthetic phenomenon, and art—our most direct and authentic way of engaging the aesthetic—is the truest way of understanding ourselves. All this suggests...
“Eggtooth,” Jesse Nathan’s debut poetry collection, is alert to the wonderful and terrible things that happen beneath our feet.
In a poem titled “In a Churchyard After Dark, with Ruth,” friends “lounge in a burr oak’s buttress-root couch.” In “Between States,” the “grass sea” of the 19th century Midwest is stolen from Indigenous Americans. In “Boy With Thorns,” a locust tree’s spike — “evolved to ward off long gone / mammoths” — pierces “my plantar fascia’s rivers / of tissue.”
Nathan’s ear for language and eye for the intersection of natural splendor and trauma are...
In the midst of calls for the removal of Confederate monuments across the South, tens of thousands of museums, buildings, and other historical sites currently comprise a tourist infrastructure of the southern heritage industry. Louisiana, one of the most prominent and frequently visited states that benefit from this tourism, has more than sixty heritage sites housed in former slave plantations. These sites contain the remains, restorations, reconstructions, and replicas of antebellum slave cabins and slave quarters. In the Shadows of the Big House: Twenty-First-Century Antebellum Slave...
With Coseema off planet, Olive has bought herself some time—but the clock is ticking. After a risky rescue mission, she and her friends make their way to the center of the rebellion against Emperor Burnash, who is desperate to capture Olive and claim her power for his own. Without her journal, Olive must rely on her newfound courage to elude Burnash and help her friends. But that courage is put to the test as she and Coseema clash in a final showdown—one that will decide the fate of a star system.
The Word of the Muse, the thrilling conclusion to the Coseema Saga...
This book combines approaches from the design disciplines, humanities, and social sciences to foster interdisciplinary engagement across geographies around the identities embodied in and of peripheries. Peripheral communities bear human faces and names, necessitating specific modes of inquiry and commitments that prioritize lived human experience and cultural expression. Hence, the peripheries of this book are a question, not a given, the answers to which are contingent forms assembled around embodied identities. Peripheries are urban fringes, periphery countries in the modern world-...
