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The Department of Slavic Languages and Literatures
Placement of Students in Language Courses
Students who need to determine placement at the appropriate level
of instruction should consult with the language coordinators and
instructors during their regular office hours (on the department
website and posted outside of the department office at 6303 Dwinelle
Hall). For lower-division Russian courses: students needing screening
and placement in Slavic 1, 2, 3, 4, and 6 should see Lisa Little,
Coordinator and Supervisor of the Russian Language Program. Whenever
possible students should contact Ms. Little in advance of the first
week of classes for screening and placement. For Slavic 114: see
Dr. Anna Muza, instructor. For upper division Russian courses: see
Dr. Arkady Alexeev. For Bulgarian, Czech, Polish, BCS (Bosnian,
Croatian, Serbian), Armenian, and Georgian courses: students needing
screening and placement should contact the instructor of their course.
If further evaluation or a test is required the instructor will
refer you to the appropriate language supervisor. Note:
The language supervisors and teaching staff make the final determination
regarding language level placement in language courses.
Quick reference to courses
RUSSIAN:
1,2: Elementary Russian
3,4: Intermediate Russian (International
Breadth)
6A: Introductory Russian for Heritage Speakers
103A: Advanced Russian (Part 1)
105A: Russian/English/Russian Translation
109: Business Russian
120A: Advanced Russian Conversation
and Communication
201: Advanced Russian Proficiency
Maintenance
OTHER SLAVIC LANGUAGES:
25A: Introductory Polish
26A: Introductory Czech
27A: Introductory Bosnian/Croatian/Serbian
115A: Advanced Polish
116A: Advanced Czech
117A: Advanced Bosnian/Croatian/Serbian
118A: Advanced Bulgarian
READING AND COMPOSITION COURSES:
R5A-1: Broken Vows: Literature
of Adultery
R5A-2: Actors and Impostors:
Dual Identities on Stage and on the Page
R5B-1: Topic TBA
R5B-2: Topic TBA
R5B-3: Topic TBA
LITERATURE AND CULTURE COURSES, satisfy L&S breadth requirements:
24: Freshman Seminar: War
and Peace: Let's Read It Together
45: Nineteenth-Century Russian Literature
(Arts & Literature)
131 (Cross-listed
with Comparative Literature 155, Sec. 1): Literature, Art,
and Society in 20th-Century Russia: The European Avant-garde:
from Futurism to Surrealism (Historical
Studies OR Arts & Literature)
134F: (Cross-listed
with English 166, Sec. 1): The Works of Vladimir Nabokov
(Arts & Literature)
134R: Research for 134F
140: (Cross-listed
with Theater Arts 166, Sec. 1): The Performing Arts in Russia
in the 20th-Century: Russian Drama: Text and Performance
(Arts & Literature)
L&S 140C: ("Discovery
Courses" program): The Soviet Experience
(Arts & Literature OR Historical Studies)
158: (Cross-listed
with History 100, Sec. 2): Topics in Russian/East European/Eurasian
Cultures: The Rise and Fall of Yugoslavia (Historical
Studies OR Social and Behavioral Sciences)
181: Readings
in Russian Literature (Arts & Literature)
GRADUATE COURSES:
200: Graduate Colloquium
201: Advanced Russian Proficiency Maintenance
CANCELLED 4/17/08
204: Russian Composition and Style:
Discourse Analysis
220: Comparative Slavic Linguistics
223: Advanced Structure of Slavic
Languages
239: 20th-Century Slavic Literary
Theory: Russian Literary Theory
245B: Russian Realism (1840s-1890s)
246A: Russian Modernism (1890s-1920s)
COURSES IN PEDAGOGY:
301-1: Teaching Methodology: Russian
and Slavic Languages
301-2: Teaching Methodology: Reading
& Composition
310: Internship in the Teaching
of Literature/Linguistics
EAST EUROPEAN AND EURASIAN STUDIES:
EE 1A: Elementary Hungarian
EE 100: Advanced Hungarian Readings
EURA ST 1A: Beginning Armenian
EURA ST 2B: Continuing Georgian
EURA ST 101A: Continuing
Armenian
Course Descriptions
Slavic 1 & 2 (5 units each)
Lisa Little (Instructor-in-Charge)
lclittle@berkeley.edu
Slavic 1 sections meet M-F 9-10, 11-12 and
1-2
Slavic 2 sections meet M-F 11-12
IF YOU SPEAK MOSTLY RUSSIAN AT HOME WITH
YOUR PARENTS OR GRANDPARENTS (even if you cannot read or write in
Russian and even if you make some mistakes in your spoken Russian
or occasionally switch to English), YOU SHOULD ENROLL IN SLAVIC
6A. This course was created specifically to fit the needs of "heritage"
speakers, which are quite different from those of non-heritage second-language
learners. (If you were born in Russia or one of the former Soviet
republics and went to school there or if you have been speaking
and
reading Russian regularly in this country, you may want to consider
Slavic 105 or 180 -- or 190 in the spring.)
Elementary Russian
Comprehensive program for the study of Russian language and culture.
No knowledge of Russian is presumed for Slavic 1. Focus on proficiency
in all four skills ("language in context" /listening, reading,
speaking, writing/) and the fundamentals ("building blocks"
/grammar and vocabulary/). Classes conducted primarily in Russian.
By the end of Slavic 2, students will have most of the grammar, vocabulary,
and cultural knowledge needed to begin functioning in Russian. Students
who have completed this program have placed into the fourth and fifth
semesters at Middlebury (a prestigious summer language immersion program). Grades based on participation, completion of homework assignments,
oral tests, written compositions, chapter tests, and a final (a
computerized standardized test that is weighted less than a chapter
test and may be taken anytime during the last two weeks up to the
scheduled final time).
Required Texts: (Available
Through ASUC's Cal Textbooks)
Note: IF YOU BUY THE TEXTBOOK ONLINE,
please make sure you get the SECOND EDITION. (McClellan should
be listed as one of the authors.) In addition, you must buy the
WORKBOOK/LAB MANUAL, which will be sold shrink-wrapped with the
textbook at a slight discount at Cal Textbooks in the ASUC. The
bookstore package will also include the CD that goes with the textbook,
which is important when you are learning the alphabet, but not as
essential as the other two parts.
Slavic 1:
Lubensky, Ervin, McClellan, & Jarvis, NACHALO When in Russia...,
Book 1 with Cassette Tape or CD and Workbook/Lab Manual.
Slavic 2:
Lubensky, Ervin, McClellan, & Jarvis, NACHALO When in Russia…,
Book 2 with Cassette Tape or CD and Workbook/Lab Manual.
Optional:
English Grammar for Students of Russian by Edwina Cruise
(strongly recommended for students with little or no knowledge of
grammar in general or who want to see Russian grammar contrasted
with that of English).
Shaum's Russian Grammar by James S. Levine (for students
who want to see the whole picture, although may be more useful in
Slavic 3-4).
Romanov's Russian-English, English-Russian Dictionary or
the English-Russian, Russian-English Dictionary by Kenneth
Katzner or free on-line dictionaries (such as http://lingvo.ru;
http://multitran.ru; and http://slovari.gramota.ru).
Students who want to get a head start can begin learning
the Russian alphabet:
If you have already purchased Nachalo, you can start learning the
printed and cursive letters (and their sounds) in the textbook and
workbook. If you haven't, or want more practice, you can go to the
following sites and see which ones work best for you:
http://masterrussian.com/blalphabet.shtml
Alphabet in print and cursive. Pronunciation of all the letters
of the Russian alphabet – scroll to bottom if you want to
hear all the letters read quickly all at once instead of one by
one. (You might also want to click on the “live cams”
button – or any of the others - on the left for fun.)
http://www.humnet.ucla.edu/russian/quickstart.html
Simple Russian words with pictures and sound.
http://community.middlebury.edu/~beyer/RT/pages/signs/signs.shtml
Alphabet in print + Russian signs for practice. Also: http://community.middlebury.edu/~beyer/publications/rabc/RABC.shtml
individual words pronounced.
http://www.alphadictionary.com/rusgrammar/index.html
The Cyrillic alphabet (lots of cognates to practice the alphabet)
and the rules of pronunciation [also lots of information about grammar
at this site].
http://langintro.com/rintro/first.htm
“A different game”: practice with sound and words.
http://www.auburn.edu/~mitrege/RWT/welcome.html
Need to have Nachalo textbook for this one. Extra practice.
Prerequisites: Slavic 1 has no prerequisites
as it assumes no previous knowledge of Russian. SLAVIC 1 IS THE
PREREQUISITE FOR SLAVIC 2. If you have not taken the previous
semester here, SCREENING AND PLACEMENT IS MANDATORY with our department’s
Russian Language Coordinator to determine the best placement for
you. Prospective students must contact Lisa Little, our department’s
Russian Language Coordinator, at: lclittle@berkeley.edu
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Slavic 3 & 4 (5 units each)
Lisa Little (Instructor-in-Charge)
lclittle@berkeley.edu
SECTIONS MEET M-F 11-12 FOR BOTH SLAVIC 3
& 4
IF YOU SPEAK MOSTLY RUSSIAN AT HOME WITH
YOUR PARENTS OR GRANDPARENTS (even if you cannot read or write in
Russian and even if you make some mistakes in your spoken Russian
or occasionally switch to English), YOU SHOULD ENROLL IN SLAVIC
6A. This course was created specifically to fit the needs of "heritage"
speakers, which are quite different from those of non-heritage second-language
learners. (If you were born in Russia or one of the former Soviet
republics and went to school there or if you have been speaking
and
reading Russian regularly in this country, you may want to consider
Slavic 105 or 180 -- or 190 in the spring.)
Intermediate Russian
L&S Breadth: Both Slavic 3 and 4 Count
as International Breadth
Comprehensive program for the study of Russian language and culture.
Focus on proficiency in all four skills ("language in context"
/listening, reading, speaking, writing/) and the fundamentals ("building
blocks" /grammar and vocabulary/).Classes conducted in Russian.
By the end of Slavic 4, students will have developed considerable
control of the grammar, a fairly extensive vocabulary, and much of
the functional and cultural knowledge needed to communicate effectively
in Russian. Students who have completed this program have had great
success in various summer programs in the U.S. and Russia and the
Moscow EAP Advanced Program.
Grades based on participation, completion of homework assignments,
oral interviews, written compositions, chapter tests, and a final
(a computerized standardized test that is weighted less than a chapter
test and may be taken anytime during the last two weeks up to the
scheduled final time).
Required Texts: (Available Through ASUC's
Cal Textbooks) Slavic 3 & 4:
Note: IF YOU BUY THE TEXTBOOK ONLINE,
please make sure you get the SECOND EDITION. (Kudyma should
be listed as one of the authors.) In addition, you must buy the
WORKBOOK/LAB MANUAL, which will be sold shrink-wrapped with the
textbook at a slight discount at Cal Textbooks in the ASUC.
Kagan, Miller, & Kudyma, V Puti: Russian Grammar in Context,
Second Edition and workbook/lab manual.
Recommended:
Schaum's Russian Grammar by James S. Levine
Romanov’s Russian-English English-Russian Dictionary or Kenneth Katzner,
English-Russian Russian-English Dictionary
Prerequisites: SLAVIC 2 IS THE PREREQUISITE
FOR SLAVIC 3; SLAVIC 3 IS THE PREREQUISITE FOR SLAVIC 4. If you
have not taken the previous semester here, SCREENING AND
PLACEMENT IS MANDATORY with our department’s Russian Language
Coordinator to determine the best placement for you. Prospective
students must contact Lisa Little, our department’s Russian
Language Coordinator, at: lclittle@berkeley.edu
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Slavic R5A, Section 1 (4 units)
Staff TBA
MWF 8-9
Reading
and Composition Course
"Broken Vows: Literature of Adultery"
Although Frank Sinatra in his hit 1955 song may croon
that, “Love and marriage go together like a horse and carriage,”
in literature we often find that this is not the case, for in novels,
short stories and plays, the institution of marriage generally exists
only to be tested by a loss of love, infidelity and deceit. In this
course, we will explore the theme of adultery and its literary evolution,
primarily in nineteenth-century Russia, but also in nineteenth-
and twentieth-century America, England and Japan. One aim of our
reading will be to examine how adultery is narrated: Through
whose eyes do we see the affair? How are the details of an affair
presented? Is the narrator an objective, reliable observer or a
sympathetic manipulator of events? Our main goal, however, will
be to investigate the treatment of adultery in different time periods
and cultures, paying close attention to its relationship to moral,
social and religious concerns.
In addition to literary texts, there will also be two film screenings
held outside of normal class hours: an adaptation of Pinter’s
Betrayal (1983) and Wong Kar Wai’s In the Mood
for Love (2000).
This course satisfies the first half
or the “A” portion of the Reading and Composition requirement.
Texts:
Anton Chekhov, Anna on the Neck (1895), The Duel
(1898) and The Lady with a Little Dog (1899)
Leo Tolstoy, Family Happiness (1859) and The Kreutzer
Sonata (1890)
Fedor Dostoevsky, The Eternal Husband (1870)
Ivan Turgenev, First Love (1860)
Nathaniel Hawthorne, The Scarlet Letter (1850)
Graham Greene, The End of the Affair (1951)
Haruki Murakami, South of the Border, West of the Sun (1992)
Harold Pinter, Betrayal (1978)
Prerequisite: Successful completion
of the UC Entry Level Writing Requirement.
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Slavic R5A, Section 2 (4 units)
Staff TBA
TT 3:30-5
Reading
and Composition Course
"Actors and Impostors: Dual Identities
on Stage and on the Page"
This course will examine the creation of dual identities
through the figures of the actor and the impostor in both prose
and dramatic texts, mainly from the Russian tradition, but with
several forays into American literature and film. We will explore
the effects of role-playing on these narratives and focus on the
following questions: What is the place of the actor and the world
of theatre within a prose text? In what manner does the figure
of the actor, identified as such, serve as a commentary upon a
dramatic text or performance? What are the dramatic possibilities
created by the explicit identification of actors as actors? How
does the employment of the figure of the impostor affect characterization
and interactions between characters? How does it affect the reader’s
response to the text? In this regard we will trace the impulse
to detection and the distinctions between the knowledge that characters
have about each other and the knowledge that readers have about
characters. We will read and learn to write about novels, short
stories, and plays, while paying particular attention to the relationship
between the character, the author, and the reader or spectator.
This course satisfies
the first half or the “A” portion of the Reading and
Composition requirement.
Texts:
Nabokov, “Good Readers and Good Writers”
Gogol, The Government Inspector
Gogol, The Nose
Dostoevsky, The Double
Chekhov, The Seagull
Chekhov, “The Tragic Actor”
Chekhov, “The Darling”
Gorky, The Lower Depths
O. Henry, “A Retrieved Reformation”
Bulgakov, A Theatrical Novel
Fitzgerald, The Great Gatsby
Nabokov, Lolita
Kubrick, Lolita (1962 film)
Prerequisite: Successful completion
of the UC Entry Level Writing Requirement.
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Slavic R5B, Section 1 (4 units)
Staff TBA
TT 8-9:30
Reading
and Composition Course
“Psychogeography: Writing about the
City”
Marxist theorist Guy Debord coined the term ‘psychogeography’
in 1955 to describe his revolutionary movement to liberate the
city from the culture of capitalism. In this ‘B’ level
Reading and Composition course, we will expand the field of this
term to consider the broader relationship of the human psyche
to urban geographies. How do literary production and the unique
environment of the city bear on one another? We will not only
consider formal problems of textual production, but will also
explore chance crossings, multi-cultural environments, poverty,
dystopia, utopia, sensory overload, and other phenomena associated
with the city. Theoretical readings about the city will accompany
our literary readings.
This course satisfies
the second half or the “B” portion of the Reading
and Composition requirement.
Texts:
Virginia Woolf, Mrs. Dalloway
Andrei Bely, Petersburg
Djuna Barnes, Nightwood
James Joyce, Dubliners
Lyudmila Petrushevskaya, The Time: Night
Alain Robbe-Grillet, In the Labyrinth
Prerequisite: Successful completion
of the “A” portion of the Reading and Composition
requirement or its equivalent.
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Slavic R5B, Section 2 (4 units)
Staff TBA
MWF 12-1
Reading
and Composition Course
Topic TBA
Watch this Space!
A Detailed Description is Coming!
A detailed description with texts is forthcoming.
This course satisfies
the second half or the “B” portion of the Reading
and Composition requirement.
Texts: TBA
Prerequisite: Successful completion
of the “A” portion of the Reading and Composition
requirement or its equivalent.
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Slavic R5B, Section 3 (4 units)
Staff TBA
MWF 3-4
Reading
and Composition Course
Topic TBA
Watch this
Space!
A Detailed Description is Coming!
A detailed description with texts is forthcoming.
This course satisfies
the second half or the “B” portion of the Reading
and Composition requirement.
Texts: TBA
Prerequisite: Successful completion
of the “A” portion of the Reading and Composition
requirement or its equivalent.
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Slavic 6A (3 units)
Lisa Little (Instructor-in-Charge)
lclittle@berkeley.edu
MWF 11-12
Introductory Russian for Heritage Speakers
This course is aimed at "heritage
speakers" of Russian, i.e., those who grew up speaking
Russian in the family without a native Russian's full
educational and cultural background. Introductory course
teaches basic skills of literacy, grammar, and reading.
Students with advanced reading proficiency should
consider Slavic 105 or 180 – or 190 in the spring.
Required Texts:
O. Kagan,
Akishina T., Robin R., Russian for Russians: Textbook
for Heritage Speakers
Recommended:
Romanov’s Russian-English English-Russian
Dictionary or Kenneth Katzner, English-Russian
Russian-English Dictionary.
STUDENTS WHO CANNOT READ OR WRITE
RUSSIAN MAY WANT TO START LEARNING THE ALPHABET FROM
ONE OF THE FOLLOWING SITES OR THEIR PARENTS BEFORE
THE BEGINNING OF THE SEMESTER:
http://masterrussian.com/blalphabet.shtml
Alphabet in print and cursive. Pronunciation of all
the letters of the Russian alphabet – scroll to
bottom if you want to hear all the letters read quickly
all at once instead of one by one. (You might also want
to click on the “live cams” button –
or any of the others - on the left for fun.)
http://www.lang.ourfamily.com/propisi/pr1-index.html
Practice with cursive (you can ignore the pictures of
animals, etc., but get a sense of how the letters are
written as words).
http://www.humnet.ucla.edu/russian/quickstart.html
Simple Russian words withpictures and sound.
http://community.middlebury.edu/~beyer/RT/pages/signs/signs.shtml
Alphabet in print + Russian signs for practice. Also:
http://community.middlebury.edu/~beyer/publications/rabc/RABC.shtml
individual words pronounced.
http://www.alphadictionary.com/rusgrammar/index.html
The Cyrillic alphabet (lots of cognates to practice
the alphabet) and the rules of pronunciation [also lots
of information about grammar at this site].
http://langintro.com/rintro/first.htm
“A different game”: practice with sound
and words.
Prerequisites:
Fluent speaking ability in Russian. Prospective students
may contact Lisa Little, our department's Russian Language
Coordinator, for advice at: lclittle@berkeley.edu
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Slavic 24 (1 unit, Pass/Not
Pass ONLY)
Professor Hugh McLean, hmclean@berkeley.edu
F 9-11
Freshman Seminar: "War and Peace:
Let's Read It Together"
This seminar is a collective exploration of this
great novel, seen both as a work of literary art and
as a response to philosophical issues of its time.
Enrollment is limited to twelve students. No knowledge
of Russian is required, nor are there any special
qualifications. No term paper. Grade will be based
on class attendance and participation.
Hugh McLean is a Professor Emeritus
of Slavic Languages and Literatures at UC Berkeley.
He has taught a wide range of courses on Russian literature
and was an active member of the faculty from 1967
to 1994. Since then he has been recalled to teach
regular courses and more recently has taught Freshman-Sophomore
and Freshman seminars.
Prerequisites: Freshman
standing.
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Slavic 25A (5 units)
Staff TBA
M-F 12-1
Introductory Polish
THE 25A-25B COURSE SEQUENCE BEGINS IN THE FALL TERM
ONLY.
This course provides key information needed for understanding Polish
texts and conversations and essential for active verbal and written
communication in Polish. You will learn through classroom exercises
based on a modern textbook, completion of individual and group assignments,
work with various audio materials, and some supplementary readings
as assigned. The course will contain the following major components:
grammar, pronunciation, reading, some translation of short texts,
writing short texts, conversation about a variety of topics.
The introductory fall 25A course, followed by the spring 25B course,
introduces the modern standard Polish language, and is taught in
Polish with explanations in English if necessary. The course is
designed for beginners with no or introductory skills in understanding
and using Polish language. Class attendance as well as active participation
in exercises and conversations is expected. Ability to work in team
is a desired and especially valued skill.
All assignments shall be completed on time. All missed assignments
and exams have to be made up for. Your final grade will be based
on your accumulation of points gained through attendance, completion
of homework assignments, midterm exams and the final exam. In addition
your final grade will be impacted by your active participation and
ability to cooperate with fellow students.
Tentative Texts:
Set of 2 books “HURRA!!! POLISH 1” with CDs
(student’s book + workbook):
PO POLSKU 1. PODRECZNIK STUDENTA, Malgorzata
Malolepsza, Aneta Szymkiewicz, ISBN 83-60229-00-7, ISBN 978-83-60229-16-3.
PO POLSKU 1. ZESZYT CWICZEN, Malgorzata
Malolepsza, Aneta Szymkiewicz, ISBN 83-60229-01-5.
Prerequisites: None for 25A; 25B presumes a knowledge
of 25A or equivalent.
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Slavic 26A (5 units)
Ellen Langer, erlanger@berkeley.edu
M-F 9-10
Introductory Czech
THE 26A-26B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
The sequence of 26A (Fall) and 26B (Spring) emphasizes development
of communicative skills, vocabulary, and grammatical competence.
The textbook covers a range of communicative situations, the fundamentals
of Czech grammar, and basic vocabulary. At the same time, the course
provides an introduction to Czech culture through films, music,
and short readings in Czech, including excerpts from Czech poetry
and prose, history, social studies, and current events. Daily homework,
midterm, oral, and final exams.
Texts:
Kresin et al, Czech for Fun, 2nd edition
Kresin et al, Czech for Fun Workbook, 1st edition
OPTIONAL reference grammar: Heim, Contemporary Czech
Additional materials provided in class.
Prerequisites: None for 26A; 26B presumes a knowledge
of 26A or equivalent.
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Slavic 27A (5 units)
Ronelle Alexander (Course Supervisor), ralex@berkeley.edu
M-F 12-1
Introductory Bosnian/Croatian/Serbian
THE 27A-27B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
An introduction to Bosnian, Croatian, and Serbian with
explanation of major differences (from both a linguistic and sociocultural
viewpoint) and the common grammatical core. Development of communication
skills (listening, speaking, reading, writing). Daily homework assignments,
weekly quizzes, midterm and final.
Texts:
Ronelle Alexander and Ellen Elias-Bursac, Bosnian, Croatian,
Serbian: A Textbook with Exercises and Basic Grammar (required)
Ronelle Alexander, Bosnian, Croatian, Serbian: A Grammar with
Sociolinguistic Commentary (recommended)
Prerequisites: None for 27A; 27B presumes a knowledge
of 27A or equivalent.
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Slavic 45 (3 units)
Luba Golburt, lgolburt@berkeley.edu
MWF 1-2
Nineteenth-Century Russian Literature
L&S Breadth: Arts & Literature
We will read some of the celebrated works of the Russian nineteenth
century, from Pushkin through Gogol, Turgenev, Dostoevsky and Tolstoy
to Chekhov.
It is the nineteenth century that poses the decisive questions
of Russian modernity: the quest for an identity for the nation and
its language, the problem of literary realism, the responsibilities
of literature as an agent for social change, the status of the writer
within changing social hierarchies, the correlation of the personal
and the collective, the political and the metaphysical. These are
decades of formal exploration and cultural anxiety, existential
doubt and political denunciation. To define the nineteenth century
and its questions and make them speak to us will be our goal this
semester.
The course is a prerequisite for admission to the Slavic major
and is recommended for prospective graduate students in Slavic.
No knowledge of Russian is required; the classes are conducted in
English.
Texts:
Pushkin, Eugene Onegin, trans. James E.Falen, Oxford UP
Gogo, The Collected Tales of Nikolai Gogol, trans. Richard
Pevear,
Larissa Volokhonsky; Vintage Classics
Lermontov, A Hero of Our Time, trans. Paul Foote, Penguin
Classics
Turgenev, Fathers and Sons, trans. Michael R. Katz, Norton
Critical
Edition.
Dostoevsky, Crime and Punishment, The Norton Critical Edition
Tolstoy, Childhood, Boyhood, Youth, Penguin Classics
Chekhov, The Portable Chekhov, (Viking Portable Library).
Edited by
Avrahm Yarmolinsky
Prerequisites: None.
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Slavic 103A (4 units)
Arkady Alexeev, arkalexeev@berkeley.edu
MWF 9-10
Advanced Russian (Part I)
This course covers three main aspects of an advanced Russian
course: grammar, syntax, and readings. The grammar is reviewed.
Syntax deals with the practical aspects of simple and compound sentences.
Readings introduce the best Russian authors. The course is taught
in Russian. There are weekly quizzes on grammar, syntax, and reading,
one midterm and the final exam. Weekly discussion or conversation
section. Grades are based on: quizzes 30%, midterm 30%, final 40%.
Texts:
I. Pulkina, Russian (1997 version)
Advanced Russian Syntax Part II, Russian reader (photocopied)
Glossary for the Russian Reader
Prerequisites: Slavic 4, 14D or equivalent.
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Slavic 105A (1, 2 or 3 units)
Arkady Alexeev, arkalexeev@berkeley.edu
MWF 11-12
Russian-English, English-Russian Translation
SLAVIC 105A OFFERED IN FALL; SLAVIC 105B IN SPRING.
Course may be repeated for credit. Three hours of lecture per week.
Course may be taken for one unit (5 weeks: basic translation skills),
two units (10 weeks: advanced skills), or three units (15 weeks:
professional skills).
The course is intended for students who are interested in acquiring
translation skills that can be used in the growing field of Russian/American
commercial and cultural relations, diplomacy and journalism. Because
translation is studied from both Russian into English and from English
into Russian it can be useful for English speakers as well as Russian
native and heritage speakers. The course will consist of two parts,
A and B, offered respectively in the fall and spring semesters.
Both courses deal with the written and oral translation. However,
Slavic 105A has the main emphasis on the written translation, its
peculiarities and methods studied through practical translation
of authentic texts. The main focus will be on translating technical
texts. The oral part in Slavic 105A concentrates on acquiring basic
skills necessary for informal interpreting. Workload:
workshop, midterm, final.
Texts: Materials supplied in class.
Prerequisites: Slavic 1, 2, 3, 4 or equivalent,
or consent of instructor.
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Slavic 109 (3 units)
Arkady Alexeev, arkalexeev@yahoo.com
MWF 3-4
Business Russian
This course is designed for students with a good command of basic
Russian who would like to gain the vocabulary of business transactions
in Russian in order to be able to establish actual contacts with
Russian businessmen and women, to participate in business negotiations,
to compile business contracts in Russian, and to read Russian business
magazines and newspapers. Elements of the business law of Russia
will also be discussed. The students are offered a large selection
of original texts on economic, business, trade (domestic and foreign),
and natural resource development. In addition to practical exercises
and discussions, guest speakers and video materials will be widely
used in classwork. The workload will include regular written assignments,
presentations, a midterm and final exam.
Text: Reader compiled by the instructor, as well
as handouts and other materials.
Prerequisites: Slavic 4 (2 years of Russian) or
equivalent.
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Slavic 115A (4 units)
Staff TBA
MWF 10-11
Advanced Polish
The course gives you an opportunity to broaden your knowledge
about Polish grammar and how to use it in active communication.
The goal of the course is to improve the fluency of your oral and
written communication skills in Polish. You will learn through classroom
exercises based on a modern textbook, completion of individual and
group assignments, work with various audio materials, and some supplementary
readings as assigned. The course will contain the following major
components: grammar, pronunciation, reading, writing short essays
and other short texts, some translation of short texts, some dictations,
and conversation about a variety of topics.
The advanced fall 115A course, followed by the spring 115B course,
focuses on the modern standard Polish language and is taught in
Polish with explanations in English if necessary. The course is
designed for students who have completed the 25B course and students
with intermediate and advanced skills in understanding and using
Polish language. Class attendance as well as active participation
in exercises and conversations is expected. Ability to work in team
is a desired and especially valued skill.
All assignments shall be completed on time. All missed assignments
and exams have to be made up for. Your final grade will be based
on your accumulation of points through class attendance, completion
of homework assignments, midterm exams and final exam. I addition
your final grade will be impacted by your active participation and
ability to cooperate with fellow students.
Tentative Texts:
Set of 2 books “HURRA!!! POLISH 2”
with CDs (student’s book + workbook):
PO POLSKU 2. PODRECZNIK STUDENTA, Agnieszka Burkat, Agnieszka
Jasinska, ISBN 83-60229-03-1
PO POLSKU 2. ZESZYT CWICZEN, Agnieszka Burkat, Agnieszka
Jasinska, ISBN 83-60229-13-9
Prerequisites: Slavic 25B or permission of the
instructor.
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Slavic 116A (4 units)
Ellen Langer, erlanger@berkeley.edu
MWF 12-1
Advanced Czech
Grammar review, advanced grammar topics, vocabulary development,
improvement of reading, writing, listening, and speaking competence/confidence.
Purchased reader consisting of literary texts and short readings
in history, music, art; grammar notes and exercises to be handed
out in class. Students will read in a variety of subject areas to
develop a well-rounded vocabulary and historical and cultural framework.
Weekly writing assignments such as journal-keeping and short essays
or dialogs. Listening comprehension exercises based on classics
of Czech film and on audio CDs/tapes. Written homework, reading
assignments, midterm, oral report, and final exams.
Texts:
Purchased Reader
Josef Fronek, English-Czech, Czech-English Dictionary
Prerequisites: Slavic 26B or consent of instructor.
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Slavic 117A (4 units)
Ronelle Alexander (Course Supervisor), ralex@berkeley.edu
MWF 1-2
Advanced Bosnian/Croatian/Serbian
Spoken and written language; advanced grammar review. Some
discussion of the contemporary sociolinguistic situation as it relates
to language use. Short oral reports and writing practice. Grades
based on class participation, midterm and final exam.
Texts:
Ronelle Alexander and Ellen Elias-Bursac, Bosnian, Croatian
Serbian: A Textbook with Exercises and Basic Grammar (required)
Ronelle Alexander, Bosnian, Croatian, Serbian: A Grammar with
Sociolinguistic Commentary (recommended)
Packet of course materials available from instructor.
Prerequisites: Slavic 27B or permission of instructor.
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Slavic 118A (4 units)
Ronelle Alexander (Course Supervisor), ralex@berkeley.edu
MWF 12-1
Advanced Bulgarian
Review of grammar covered in Introductory Bulgarian
28A-B. Thorough presentation of the complex verbal tense-mood
system. Readings in contemporary Bulgarian prose and poetry. The
course will be conducted partially in Bulgarian. Workload will
include reading, translations, preparation of oral reports; midterm;
final.
Texts:
Alexander, Intensive Bulgarian, Volumes 1 & 2
Xeroxed materials
Prerequisites: Slavic 28B or permission
of instructor.
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3/21/08: Description and texts
subject to change for Slavic 120A. Please check our website
for final version of this description after April 4, 2008.
Slavic 120A (2 or 3 units)
Lisa Little, lclittle@berkeley.edu
6112 Dwinelle; 510/642-4158
MWF 1-2
Advanced Russian Conversation and Communication
This course focuses on oral communication skills.
The goal is to help students develop confidence and begin to feel
comfortable conversing in Russian on various topics beyond routine
social and survival needs. Since communication often breaks down
when comprehension is poor, part of the class will be devoted to
improving listening skills and building vocabulary.
The course may be taken for two or three credits.
Those students taking the course for two credits will come to class
on Mondays and Wednesdays and do the assignments for those days.
Students who choose to take the course for three credits will attend
on Fridays as well. Together they will decide on a project (or projects)
for the semester. It might be publishing a newspaper, writing and
staging a play, filming a movie... or, judging by previous semesters,
students may prefer to each take a turn planning and directing an
interactive class based on their own interests (in consultation
with the instructor).
The Monday/Wednesday students will have regular home assignments
to prepare for the next day’s class. There will be an oral
test (one-on-one with the instructor) every 3 weeks or so. At the
end of the semester there will be a final oral interview (with a
less formal one at the beginning of the semester as a point of comparison).
Texts: All materials to be supplied by instructor
during the course of the semester.
Prerequisites: Slavic 4 or consent
of instructor.
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Slavic 131 (4 units)
Harsha Ram, ram@berkeley.edu
TT 3:30-5
Literature, Art, and Society in 20th-Century Russia
"The European Avant-garde: from Futurism to Surrealism"
This course is cross-listed
with Comparative Literature 155, Sec. 1
L&S Breadth: Arts & Literature
OR Historical Studies
The literary avant-garde of the early twentieth century was
the most radical expression of European modernism in literature
and art. We will be focusing on the four most radical and creative
of the avant-garde movements to have swept through Europe between
the 1910's and the 1930's: Italian and Russian futurism, dada in
Zurich and Paris, and French surrealism. We will be reading avant-garde
poetry, manifestoes, performance texts and plays, experimental fiction
and memoirs. We will also be paying some attention to parallel developments
in the visual arts and cinema.
Topics for discussion include literature and revolutionary politics,
tradition and modernity, theoretical metalanguage and its relationship
to artistic practice, poetic experimentation, the relationship of
sound to meaning, the limits of art, the cult of technology, literature
and utopia, and the relationship of writing to theories of the unconscious.
Writers and artists include: Filippo Marinetti, Valentine de Saint-Point,
Vladimir Mayakovsky, Velimir Khlebnikov, Vladimir Tatlin, El Lissitsky,
Sergei Eisenstein, Leon Trotsky, Tristan Tzara, Hugo Ball, Georges
Ribemont-Dessaignes, Andre Breton, Sigmund Freud, and Louis Aragon
There are no prerequisites. All texts will be read in English.
Students will be required to write a final paper, a take-home midterm,
and several short assignments. There will be no final exam.
Texts:
Futurist Manifestos, ed. Umbro Apollonio 0-87846-627-4
Collected Works of Velimir Khlebnikov: Selected Poems,
VOL. 3 0-674-14048-6
Dada Performance, ed. Mel Gordon 1-55554-010-4
Nadja, Andre Breton. 0-8021-5026-8
Prerequisites: None.
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Slavic 134F (4 units)
Eric Naiman, naiman@berkeley.edu
MWF 10-11
The Works of Vladimir Nabokov
This course is cross-listed
with English 166, Sec. 1
L&S Breadth: Arts & Literature
We will study the work of Nabokov as a novelist on two continents
over a period of nearly sixty years. The course will be structured
(more or less) chronologically and evenly divided between novels
translated from Russian and written in English. After beginning
with Nabokov’s second novel and two short stories, we will
examine the major fiction of his European period, which culminates
with the publication in Paris of (most of) The Gift. Competing interpretations
of Nabokov will be considered, but our emphasis will be on metafiction,
the theme of perversity and Nabokov's cultivation of a perverse
reader.
Since Nabokov was prolific and this course is comprehensive, students
should expect to devote a considerable amount of time to reading
and should come to class prepared to discuss the assigned texts.
Participants in the class should anticipate reading 200 pages per
week. Written work will consist of two papers (5 to 10 pages) on
topics to be chosen in consultation with the professor. Penalties
will be assessed for late papers. The will be a midterm and a final
examination.
Texts:
Required: Nabokov, Vladimir
The Defense
Laughter in the Dark
The Gift
Bend Sinister
Lolita
Pnin
Pale Fire
Prerequisites: None.
Additional option, Slavic
134R: With concurrent enrollment in 134R (1 unit), a student
can write a research paper (10-15 pages) on a topic of choice, supervised
by the instructor in individual consultations.
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Slavic 140 (4 units)
Anna Muza, amuza@berkeley.edu
TT 2-3:30
The Performing Arts in Russia in the 20th-Century:
"Russian Drama: Text and Performance"
This course is cross-listed
with Theater Arts 166, Sec. 1
L&S Breadth: Arts & Literature
The course is devoted to major works of Russian dramatic literature
of the 19th-20th centuries and their stage representations. Its
dual focus will be on contemporary implications of dramatic texts
and on their theatrical life in and through time, in various historical,
political, and national frameworks. We will read ten plays central
to the Russian literary and dramatic tradition and also associated
with the idea of the Russian theater in the West. The course will
address their contemporary historical and cultural subtexts, thematic
and conceptual properties, and formal idiom. We will then follow
stage history of these dramatic texts and discuss most significant
interpretations of Russian classics by leading artists of the 20th
century theater and film.
The course will include the plays by Nikolai Gogol, Ivan Turgenev,
Anton Chekhov, Vladimir Mayakovsky, as well as some of the most
recent work of Russian playwrights; and discuss the work of such
directors as Konstantin Stanislavsky, Vsevolod Meyerhold, Aleksandr
Tairov, as well as important Western interpretations of Russian
drama.
Texts: All materials will be collected in a reader.
Prerequisites: None. All readings are in English.
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L&S 140C ("Discovery Courses"
program) (4 units)
Irina Paperno, ipaperno@berkeley.edu
TT 11-12:30 and required one-hour discussion
sections, time TBA
The Soviet Experience
L&S Breadth: Arts & Literature
OR Historical Studies
This course explores the historical experience of the Soviet people.
When the Soviet Union ceased to exist in December 1991, a great
social experiment came to an end: an attempt to organize society
and human lives in accordance with rational principles. This course
approaches the Soviet phenomenon through experiences of concrete
people. We will focus on three chronological and thematic areas:
the early visions of the new social order (experiments in reorganization
of time; space; family, sexuality, and gender); the state terror
in Stalin's times; and the fall of the Soviet regime. Course materials
include documents (architectural designs, political propaganda,
personal diaries), works of art (novels, films, paintings), scholarship
(historical and literary studies), and journalistic writings.
Format: lectures (with viewing of films/slides)
and required discussion session. All readings are in English. Requirements:
weekly readings and active class participation; take-home research
assignments. There will be a midterm; short in-class quizzes; and
final. Breadth requirements: Arts and Literature
or Historical Studies. Slavic majors and minors:
consult instructor or undergraduate adviser.
Main Texts:
Martin Malia, The Soviet Tragedy: A History of Socialism in
Russia, 1917-1991 (historical scholarship)
Yuri Olesha, Envy (novel)
Valentin Kataev, Time, Forward! (novel)
from Intimacy and Terror: Soviet Diaries of the 1930s (personal
documents)
Lidia Chukovskaya, Sofia Petrovna (novel)
David Remnick Lenin's Tomb: The Last Days of the Soviet Empire
(journalism)
Reader (selections
from documents and scholarship).
Prerequisites: None.
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Slavic 158/History 100, Sec. 2 (4 units)
Ronelle Alexander (Slavic), ralex@berkeley.edu
/ John Connelly (History)
MWF 3-4
Topics in Russian/East European/Eurasian Cultures:
"The Rise and Fall of Yugoslavia"
This course is cross-listed
with History 100, Sec. 2
L&S Breadth: Historical Studies OR Social
and Behavioral Sciences
This course will consider the phenomenon of Yugoslavia (1918
- 1991) from two different but closely related standpoints -- that
of history and politics, and that of literature and culture. Throughout
Eastern Europe, but especially in the former Yugoslavia, these two
activities have been so interconnected that it is impossible to
understand the one without some understanding of the other. Literature
and other artistic expression take as their primary topics historical
and current politically charged events, and major political actions
are often precipitated by, or at least closely tied up with, literary
events or figures. Within Yugoslavia, the issue of language has
also been highly politicized, and much of the ethnic/national conflict
between Serbs, Croats, Bosnian Muslims (and even Montenegrins) is
connected with the question of whether they all speak the same language
or not.
In addition to readings from literary and historical sources, the
course will include films by and about Yugoslavs.
Texts:
Benson, Leslie. Yugoslavia, a Concise History (revised
and updated edition)
Sudetic, Chuck. Blood and Vengeance, One Family's Story of the
War in Bosnia
Wachtel, Andrew. Making a Nation, Breaking a Nation: Literature
and Cultural Politics in Yugoslavia
Andric, Ivo. The Bridge on the Drina
Pekic, Borislav. The Houses of Belgrade
Jergovic, Miljenko. Sarajevo Marlboro
Prerequisites: None. ALL COURSE READINGS
IN ENGLISH.
**Slavic 158 is a Cultural Topics
requirement for majors in the East European or Eurasian Cultures
track in the Slavic Department.**
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Slavic 181 (4 units)
Anna Muza, amuza@berkeley.edu
TT 11-12:30
Readings in Russian Literature
L&S Breadth: Arts &
Literature
The course has a dual purpose: 1) to improve your
Russian reading, speaking, and writing skills; 2) to practice
close reading and analysis of original Russian texts from the
nineteenth and twentieth centuries, and to follow Russian literary
tradition in its idiomatic verbal form.
All reading is in Russian; class is conducted in English and Russian.
Besides reading and discussing the texts, there will be 3 to 4
written assignments.
Texts: Reader
Prerequisites: Ability to read
and understand Russian at least at the third year level (Slavic
103A).
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Slavic 200 (0 units)
David Frick
M 4-7
Graduate Colloquium
Reports on current scholarly work by faculty and graduate students.
Must be taken on a satisfactory/unsatisfactory basis.
Graduate students must enroll in this course every semester in residence.
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CANCELLED 4/17/08
Slavic 201 (2 or 3 units)
Anna Muza, amuza@berkeley.edu
M 1-4
Advanced Russian Proficiency Maintenance
Russian language course for graduate students from various disciplines.
May be taken for 2-3 credits, with consent of instructor. Focus
on advanced idiomatic vocabulary, stylistic awareness, advanced/academic
conversation.
Texts: None.
Prerequisites: Graduate standing; consent of instructor.
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Slavic 204 (4 units)
Anna Muza, amuza@berkeley.edu
M 1-4, 6115 Dwinelle
Russian Composition and Style: "Discourse Analysis"
This course is a practical study of different discourses of
literary Russian. Paying attention to lexical, grammatical, stylistic
and narrative characteristics of a few select and representative
texts, we will analyze and imitate 19th-century narrative techniques
(e.g., Gogol’s skaz, Dostoevsky’s polyphony, Chekhov’s
free indirect discourse), oral and folklore patterns, the languages
of Imperial and Soviet power, discourses of Stalinist and post-perestroika
subjectivity and rhetorical strategies of contemporary Russian scholarly
prose. The class is conducted in Russian. Required of all beginning
(first- and second-year) graduate students in the Department of
Slavic Languages and Literatures, the course might be also of use
for graduate students in history and social sciences.
Requirements: weekly readings and participation
in discussions; written homework assignments; take-home final exam.
Texts: Xeroxed reader
Prerequisite: Graduate standing or consent of
instructor; advance knowledge of Russian, both reading knowledge
and oral fluency.
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Slavic 220 (4 units)
Johanna Nichols, jbnichols@berkeley.edu
M 9-12
Comparative Slavic Linguistics
Reconstruction of Proto-Slavic grammar and lexicon,
chiefly phonology and morphology. The breakup of Common Slavic,
the branches of Slavic, and the development of the Common Slavic
sound system in the daughter dialects. Development of Proto-Slavic
from Indo-European. The Slavic homeland and expansion. Workload
includes some quizzes and/or exercises; midterm and final.
Texts:
Required:
Schenker, Alexander M. 1995. The Dawn of Slavic. New
Haven: Yale University Press.
Reader of selected articles.
Prerequisites: Slavic 210.
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Slavic 223 (4 units)
Johanna Nichols, jbnichols@berkeley.edu
TT 9:30-11
Advanced Structure of Slavic Languages
A detailed description is forthcoming. For information,
contact the instructor at: jbnichols@berkeley.edu
Texts: TBA
Prerequisites: Slavic 222.
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Slavic 239 (4 units)
Harsha Ram, ram@berkeley.edu
W 3-6
20th-Century Slavic Literary Theory:
"Russian Literary Theory"
The course has two goals: to explore influential
trends in twentieth-century Russian literary theory: the 19th-century
revolutionary democratic tradition that culminated in Marxism,
symbolist criticism, the Russian formalist school, with its
emphasis on linguistic and structural criteria, Bakhtin, and
the cultural semiotics of the Moscow-Tartu school. We will
also be seeking to bring the Russian and Western theoretical
traditions into a dialogue with one another by examining such
issues as non-Russian appropriations of Bakhtin, and the continuities
and differences between Western and Russian understandings
of such currents as structuralism, historicism, and postmodernism.
Readings will include works by Belinskii, Solov'ev, Shklovskii,
Eikhenbaum, Tynjanov, Jakobson, Bakhtin, Trotskii, Lenin,
Lotman. Knowledge of Russian is encouraged, but English translations
will be provided on request.
All readings provided in reader.
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Slavic 245B (4 units)
Irina Paperno, ipaperno@berkeley.edu
Tu 2-5
Russian Realism (1840s-1890s)
This graduate seminar will consider major trends, concepts, texts,
people, and institutions of Russian Realism. Texts/topics include:
the concept of Realism in literary history and literary scholarship;
the beginnings of the realist aesthetics in literary ethnography
(“fiziologicheskii ocherk” and “Zapiski okhotnika”);
the rise of realism from personal documents and criticism (Belinsky);
early Dostoevsky; Nekrasov: realism in poetry; Goncharov, Oblomov;
Turgenev and the social novel; ideology, literature, and the “thick
journals”; Tolstoy and narrative representation of consciousness;
Saltykov’s “Gospoda Golovlevy” and “degeneration”;
Chekhov and the end of Russian Realism. All primary texts are read
in Russian; discussions in English.
Requirements: Reading and class participation;
paper or take-home final examination (it will follow the format
of MA examination).
Prerequisites: Solid Russian; graduate standing
(or consent of instructor).
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Slavic 246A (4 units)
Olga Matich, omatich@berkeley.edu
Th 3-6
Russian Modernism (1890s-1920s)
Russian Modernist literature will be studied in the context of
Russian and European philosophy and literature. Russian Symbolism
and Futurism will be the focus of the course. We will trace the
culture wars between the representatives of Russian Modernism and
their opponents from the pre-revolutionary 1890s through the Soviet
1920s. Some of the topics to be covered are the anti-nature impulse
of the Decadence, especially in the spheres of sex and gender; the
religious revival of the beginning of the twentieth century called
the “Russian Religious Renaissance;” the anti-historical
tendency of Symbolist and avant-garde ideology in conjuring the
“new man;” aesthetic experimentation in literature,
especially in relation to Bely’s Petersburg, and
film; interdependence of literature and criticism, especially between
Futurism and Formalism. We will read late Tolstoy, Merezhkovsky,
Solov’ev, Nordau, Nietzsche, Sologub, Blok, Bely, and other
selections of Symbolist poetry, Rozanov, Kuzmin, Akhmatova, Mayakovsky,
and Shklovsky.
Texts in Russian:
Lev Tolstoy, The Kreutzer Sonata
Reader of Russian poetry
Mikhail Kuzmin, Wings
Fedor Sologub, Petty Demon
Andrei Bely, Petersburg
Alexander Blok, The Twelve and Scythians
Vladimir Mayakovsky, Cloud in Pants and About That
Anna Akhmatova, Poet Without a Hero
Viktor Shklovsky, Art as Device
Prerequisites: Graduate standing or consent of
instructor; reading knowledge of Russian.
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Slavic 301, Section 1 (3 units)
Lisa Little, lclittle@berkeley.edu
M 2:30-4:30
Slavic Teaching Methods
This course is required of all Graduate Student Instructors of
Russian, Bulgarian, Czech, Polish, and Bosnian/Croatian/Serbian.
Course to be repeated for credit each semester of employment
as graduate student instructor. Course on practical teaching
methods, grading, testing, and design of supplementary course materials.
Required of all graduate student instructors in Slavic. Must
be taken on a satisfactory/unsatisfactory basis.
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REQUIRED OF SLAVIC
DEPARTMENT GSIs TEACHING
READING & COMPOSITION
Slavic 301, Section 2 (3 units)
Olga Matich, omatich@berkeley.edu
Tent. Time: MWF 8-9
Teaching Methodology: Reading & Composition
This course is required of all Graduate Student
Instructors teaching Reading & Composition courses in the
Slavic Department.
Course to be repeated for credit each semester
of employment as graduate student instructor. The purpose
of this course is to introduce new GSIs to teaching Slavic 5A
and 5B. It will focus on preparation of teaching materials, including
syllabi, and discussion of questions of pedagogy (teaching literature
and writing, lecturing, leading class discussions, designing writing
assignments, grading and formulating responses to student papers,
working with students individually and in small groups). The course
will help you prepare for a career as a college teacher of literature
and for the teaching component of job applications. Must
be taken on a satisfactory/ unsatisfactory basis.
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Slavic 310 (2 units)
The Staff
Internship in the Teaching of Literature/Linguistics
Weekly meetings with the instructor of the designated course. Discussion
of course aims, syllabus preparation, lecture and assignment planning,
grading and related matters. Students may prepare a representative
portion of the work for such a course (e.g. lecture outline and
assignments for a course segment) and may participate in presentation
of the material and in evaluation of samples of student work. May
be repeated for credit.
Prerequisites: Slavic graduate student status
and consent of instructor.
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EAST EUROPEAN STUDIES COURSES
East European Studies 1A (3 or 4 units)
Staff TBA
MWF 9-10
Elementary Hungarian
THIS 1A-1B COURSE SEQUENCE BEGINS IN THE FALL TERM ONLY.
The beginning course aims at developing the fundamentals
of language proficiency through conversational practice, and oral
and written assignments. Its most important goal is to provide the
students with the requisite vocabulary and grammatical structures
to carry on an idiomatic conversation in a variety of situations.
It offers selections from Hungarian poetry and folk songs to help
students gain a better understanding of Hungarian culture. Frequent
oral and written assignments will be given; there will be a midterm
and a final exam. The course can be taken for either 3 or 4 units;
the additional unit involves extra written and reading assignments.
Text:
Colloquial Hungarian by Erika Solyom and Carol Rounds,
Routledge
Prerequisites: None.
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East European Studies 100 (2 units)
Staff TBA
WF 10-11
Advanced Hungarian Readings
This class requires prior knowledge of the Hungarian language.
The purpose of the class is to further develop the students' level
of language proficiency in speech as well as in writing. A major
component of the curriculum is based on student presentation of
a topic chosen by each student in the class. Each student is to
give two oral presentations during the semester. Materials for reading
are selected by the instructor as well as by the students for home
reading. Workload will include a reasonable amount of reading and
writing assignments. Midterm and final exams, and the student's
attendance and participation will provide the basis for grading.
Texts: Photocopied material and reading chosen
by student.
Prerequisites: East European Studies 1A-lB or
consent of instructor.
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EURASIAN STUDIES COURSES
Eurasian Studies 1A (4 units)
Staff TBA
TT 11-12:30
Beginning Armenian
EURASIAN STUDIES 1A IS A TWO-SEMESTER SEQUENCE. 1B IS OFFERED
IN THE SPRING.
This course is for students who have no
or very little previous knowledge of Armenian. Proficiency in the
four language skills, listening, speaking, reading and writing is
developed. Modern Western Armenian is taught primarily, but students
who would like to learn Eastern Armenian are also accommodated.
Armenian is taught as one language. The commonalities are highlighted
and the differences recognized and taught.
Among the requirements are attendance and participation, oral and
written homework, two midterm projects, and a term project with
presentation.
Text:
No required textbooks.
Teacher provided materials.
A good Armenian/English and English/Armenian dictionary
Prerequisites: Consent of instructor.
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Eurasian Studies 2B (3 units)
Staff TBA
TT 9:30-11
Beginning Georgian (Second
Semester)
EURASIAN STUDIES 2B IS THE SECOND COURSE
IN A TWO-SEMESTER SEQUENCE.
The beginning course of Georgian Language is designed for students
who are interested in studying the non-Indo-European languages of
the Caucasus.
The course focuses on Georgian grammar and basic skills including
reading, writing and conversation. No previous knowledge of Georgian
is required.
More detailed information on this course is available at the following
web page:
http://www.ocf.berkeley.edu/~shorena/.
Grades are based on class participation, exercises, home assignment
tests and a final.
Text:
Shorena Kurtsikidze, Essentials of Georgian Grammar with Conjugation
Tables of 250 Most Commonly Used Verbs, Munich, Lincom Europa,
2006
Additional readings will be provided by the instructor.
Audio, visual and video materials are extensively used in the classroom.
Prerequisites: Knowledge equivalent to one semester
of Georgian (Eurasian St. 2A or its equivalent), and consent of
instructor is required.
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Eurasian Studies 101A (3 units)
Staff TBA
TT 12:30-2
Continuing Armenian
This is part B of Continuing Georgian, which
is a two semester sequence.
The purpose of this course is to further develop students’
Armenian proficiency in all four language skills, using discussions,
oral presentations, written assignments and a variety of readings
(literature, non-fiction, folklore, newspaper articles, etc.) chosen
for their cultural significance and based on student needs and interests.
Particular skills (e.g. reading) are emphasized. Three hours of
class per week. Course may be repeated for credit.
Among the requirements are attendance and participation, oral and
written homework, two midterm projects, and a term project with
presentation.
Texts: Materials will be provided by the teacher.
No textbooks are required.
A good dictionary of Armenian/English and English/Armenian is required.
Prerequisites: Eurasian Studies 1A-1B or consent
of instructor.
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