Students who have learned Russian or other Slavic languages elsewhere
and those returning from study abroad will need to take a placement
test at the beginning of the semester. Please
review language placement criteria from the selections below.
Enrollment in Slavic 115AB, 116AB, 117AB, 118AB
is limited to non-native
and heritage speakers. Native speakers - defined as those who
have completed eighth-grade education (or higher) in the country
of their
birth - may enroll only with permission of the instructor. Such
students are
welcome, however, in literature and culture courses taught in the
original
language (Slavic 151-152, 161-162, 171-172).
Comprehensive program for the study of Russian language and culture.
No knowledge of Russian is presumed for Slavic 1. Focus on proficiency
in all four skills (“language in context” /listening,
reading, speaking, writing/) and the fundamentals (“building
blocks” /grammar and vocabulary/). Classes conducted primarily
in Russian.
By the end of Slavic 2, students will have most of the grammar,
vocabulary, and cultural knowledge needed to begin functioning in
Russian. Students who have completed this program have placed into
the fourth and fifth semesters at Middlebury (a prestigious summer
language immersion program).
Grades based on participation, completion of homework assignments,
oral tests, written compositions, chapter tests, and a final (a
computerized standardized test that is weighted less than a chapter
test and may be taken anytime during the last two weeks up to the
scheduled final time).
If you have already purchased Nachalo, you can start learning the
printed and cursive letters (and their sounds) in the textbook and
workbook. If you haven't, or want more practice, you can go to the
following sites and see which ones work best for you:
Comprehensive program for the study of Russian language and culture.
Focus on proficiency in all four skills (“language in context”
/listening, reading, speaking, writing/) and the fundamentals (“building
blocks” /grammar and vocabulary/). Classes conducted in Russian.
By the end of Slavic 4, students will have developed considerable
control of the grammar, a fairly extensive vocabulary, and much
of the functional and cultural knowledge needed to communicate effectively
in Russian. Students who have completed this program have had great
success in various summer programs in the U.S. and Russia and the
Moscow EAP Advanced Program.
Grades based on participation, completion of homework assignments,
oral interviews, written compositions, chapter tests, and a final
(a computerized standardized test that is weighted less than a chapter
test and may be taken anytime during the last two weeks up to the
scheduled final time).
Tirelessly toiling alongside us, keeping us warm,
caring for our property and lives—animals have been our constant
companions throughout recordable history. In literature as well,
the figure of the animal serves as the long-suffering other against
which we struggle to define our humanity. Whether complete subjects
endowed with their own voices or objects of interrogation or misrepresentation,
the figure of the animal in literature proves Claude Lévi-Strauss
famous dictum: “animals are good to think with.” Thinking
with, about, through, alongside ‘the animal’ might very
well serve as the key to answering one of the most pressing questions
of the twenty-first century: what is the human?
In this class we will examine the creative, formal, and thematic
role of animals in defining and destabilizing various categories
of meaning-making. We will be looking at how authors define, use,
categorize and write animals into a variety of texts: How is narrative
voice constructed in these works? What does it mean to talk about
a “first person narrator” when the narrator is a beast;
is the traditional concept of “point of view” destabilized
when such a ‘view’ is impossible? What happens when
we im-personate the animal voice? And finally, we will look at the
ethics of representation: is it possible—or desirable—to
speak for the silent?
Slavic R5B, Section 2 (4 units)
Lucas Stratton, lstratton@berkeley.edu
TT 8-9:30
Reading
and Composition Course
"Dystopian Realities"
In this course we will read and write about botched,
oppressive, and absurd—in other words dystopian—societies.
We will take as its point of departure two fundamental works of
dystopian fiction, Zamiatin’s We and Huxley’s
Brave New World. From these texts featuring highly-regimented
civilizations and radically new modes of human behavior and interaction
we will transition to texts perhaps even more unsettling in that
they represent realities not so distant or unthinkable to us. Over
the course of our readings we will focus on the many problems posed
by the representation of alternate, yet not wholly unreal realities:
how does one narrate life in utopia/dystopia? how do fictional representations
of reality intersect, reflect, or critique those realities, past
and present, that we perceive as “real”? Furthermore,
we will strive to understand what a dystopia is, lending special
attention to each text’s portrayal of human relationships,
gender roles, sexuality, government, individuality, language, science,
technology, and religion. Students will participate in class discussions,
compose essays drawing upon the rich array of topics mentioned above,
and engage in the rigorous editing of their compositions.
This course satisfies
the second half or the “B” portion of the Reading and
Composition requirement.
Texts: (please note specific
editions, especially translations)
Michael Harvey, The Nuts and Bolts of College Writing (ISBN:
0872205738)
Evgenii Zamiatin, We (Modern Library, Trans. Natasha Randall,
ISBN: 081297462X)
Aldous Huxley, Brave New World and Brave New World
Revisited
(Harper Perennial Modern Classics, ISBN: 0060776099)
Andrei Platonov, Soul and other short stories (NYRB Classics,
Trans. Olga Meerson, ISBN: 159017254X)
Brett Easton Ellis, Less Than Zero (Vintage, ISBN: 0679781498)
Viktor Pelevin, Omon Ra (New Directions Publishing Corporation,
Trans. Andrew Bromfield ISBN: 0811213641)
Prerequisite: Successful completion
of the “A” portion of the Reading and Composition requirement
or its equivalent.
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Slavic R5B, Section 4 (4 units)
Kathryn Schild, kde@berkeley.edu
TT 3:30-5
Reading
and Composition Course
"Murder: Crimes of Planning, Crimes
of Passion"
The basic question motivating every murder story
is not “Whodunnit?” but “Why?” To the
careful reader, every element of a murder story reveals something
about the killer... and the author. This course will read classic
works of fiction to study how murder stories address questions
of morality, criminal psychology, and narrative. We will compare
murderers and detectives as protagonists, identify stylistic devices
that portray violence’s emotional impact, trace the trope
of carefully-planned murder versus crime of passion, delve into
the minds of our fictional killers, and analyze the literary devices
that grant us that access.
Reading like literary detectives will train students
in the reading, writing, and research skills necessary to write
effective papers. Classes will combine reading discussions with
writing workshop activities. We will examine various forms of
college and professional writing, practice all of the stages of
the writing process, and work on communicating ideas clearly.
Students will write and revise brief response papers (1 page each),
two short analytical essays (3-5 pages) and one research paper
(8-10 pages).
This course satisfies
the second half or the “B” portion of the Reading
and Composition requirement.
Texts:
Fyodor Dostoevsky, Crime and Punishment (ISBN 0679734503)
Lev Tolstoy, “The Kreutzer Sonata” (ISBN 0192838091)
Vladimir Nabokov, Despair (ISBN 0679723439)
Michael Harvey, The Nuts and Bolts of College Writing
(ISBN 0872205738)
Course reader contains:
Alexander Pushkin, “Queen of Spades”
Edgar Allan Poe, “The Tell-Tale Heart”
Sir Arthur Conan Doyle, selected Sherlock Holmes stories
Ivan Bunin, “The Case of Cornet Elagin”
Prerequisite: Successful completion
of the “A” portion of the Reading & Composition
requirement or its equivalent.
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DO YOU SPEAK (BUT
NOT READ OR WRITE) FLUENT RUSSIAN?
Slavic 6B (3 units)
Arkady Alexeev, arkalexeev@yahoo.com
M-F 3-4
Introductory Russian for Heritage Speakers
Slavic 6B is a continuation of Slavic 6A.
This course is aimed at "heritage speakers" of Russian,
i.e., those who grew up speaking Russian in the family without
a native Russian's full educational and cultural background.
Introductory course teaches basic skills of literacy, grammar,
and reading. Students with advanced reading proficiency
should consider Slavic 105A/B, 181, 182 or 190.
Required Texts:
O. Kagan, Akishina T., Robin R., Russian for Russians:
Textbook for Heritage Speakers
Recommended:
Romanov’s Russian-English English-Russian Dictionary
or Kenneth Katzner, English-Russian Russian-English Dictionary.
STUDENTS WHO CANNOT READ OR WRITE RUSSIAN
MAY WANT TO START LEARNING THE ALPHABET FROM ONE OF THE FOLLOWING
SITES OR THEIR PARENTS BEFORE THE BEGINNING OF THE SEMESTER:
http://masterrussian.com/blalphabet.shtml
Alphabet in print and cursive. Pronunciation of all the letters
of the Russian alphabet – scroll to bottom if you want
to hear all the letters read quickly all at once instead of
one by one. (You might also want to click on the “live
cams” button – or any of the others - on the left
for fun.)
http://www.lang.ourfamily.com/propisi/pr1-index.html
practice with cursive (you can ignore the pictures of animals,
etc., but get a sense of how the letters are written as words).
http://www.humnet.ucla.edu/russian/quickstart.html
Simple Russian words with pictures and sound.
http://community.middlebury.edu/~beyer/RT/pages/signs/signs.shtml
Alphabet in print + Russian signs for practice. Also:
http://community.middlebury.edu/~beyer/publications/rabc/RABC.shtml
individual words pronounced.
http://www.alphadictionary.com/rusgrammar/index.html
The Cyrillic alphabet (lots of cognates to practice the alphabet)
and the rules of pronunciation [also lots of information about
grammar at this site].
http://langintro.com/rintro/first.htm
“A different game”: practice with sound and words.
Prerequisite:
Fluent speaking ability in Russian. For placement purposes,
prospective students should contact Dr. Alexeev at: arkalexeev@yahoo.com
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Slavic 25B (5 units)
Faculty Supervisor: Prof. Frick
GSI: Tony Lin, tonyhlin@berkeley.edu
M-F 12-1
Introductory Polish
This course provides key information needed for understanding
Polish texts and conversations and essential for active verbal
and written communication in Polish. You will learn through classroom
exercises based on a modern textbook, completion of individual
and group assignments, work with various audio materials, and
some supplementary readings as assigned. The course will contain
the following major components: grammar, pronunciation, reading,
some translation of short texts, writing short texts, conversation
about a variety of topics.
The 25B course, preceded by the fall 25A course, introduces
the modern standard Polish language, and is taught in Polish with
explanations in English if necessary. The course is designed for
students who have completed the introductory 25A fall course,
or students with equivalent skills in understanding and using
Polish language. Class attendance as well as active participation
in exercises and conversations is expected. Ability to work in
team is a desired and especially valued skill.
All assignments shall be completed on time. All missed
assignments and exams have to be made up for. Your final grade
will be based on your accumulation of points gained through attendance,
completion of homework assignments, midterm exams and the final
exam. In addition your final grade will be impacted by your active
participation and ability to cooperate with fellow students.
Texts: Set of 2 books (the same as for the
course 25A) “HURRA!!! POLISH 1” with CDs
(student’s book + workbook):
PO POLSKU 1. PODRECZNIK STUDENTA, Malgorzata
Malolepsza, Aneta Szymkiewicz, ISBN 83-60229-00-7, ISBN 978-83-60229-16-3.
PO POLSKU 1. ZESZYT CWICZEN, Malgorzata
Malolepsza, Aneta Szymkiewicz, ISBN 83-60229-01-5.
Prerequisite: Slavic 25A or the permission
of the instructor.
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Slavic 26B (5 units)
Ellen Langer, erlanger@berkeley.edu
M-F 9-10
Introductory Czech
The course covers a broad range of communicative situations,
the fundamentals of Czech grammar, and basic vocabulary. It also
provides an introduction to Czech culture through films, music,
and short readings in Czech including excerpts from Czech poetry
and prose, history, social studies, and current events. Daily
homework, midterms, final exam.
Required Texts:
Kresin, et al., Cestina Hrou, Czech for Fun
Kresin, et al., Cestina Hrou: Workbook
Recommended Text:
Heim, Michael. Contemporary Czech
Prerequisite: Slavic 26A
or equivalent.
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Slavic 27B (5 units)
Faculty Supervisor: Prof. Alexander
GSI: Jelena Simjanovic, jelena.simjanovic@gmail.com
M-F 9-10
Introductory Bosnian/Croatian/Serbian
COURSE SEQUENCE BEGINS IN THE FALL.
Continuation of 27A. Development of communication skills (listening,
speaking, reading, writing). Consideration of linguistic and sociocultural
differences and common grammatical core. Daily homework assignments,
weekly quizzes, midterm and final.
Required Text:
Ronelle Alexander and Ellen Elias-Bursac, Bosnian, Croatian,
Serbian: A Textbook with Exercises and Basic Grammar (required)
Ronelle Alexander, Bosnian, Croatian, Serbian: A Grammar with
Sociolinguistic Commentary (recommended)
Prerequisite: Slavic 27A or equivalent.
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Slavic 28B (5 units)
Faculty Supervisor: Prof. Alexander
GSI: Cammeron Girvin, cgirvin@berkeley.edu
M-F 12-1
Introductory Bulgarian
COURSE SEQUENCE BEGINS IN THE FALL.
Practical instruction in the Bulgarian language
with a focus on intergrated skills (reading, grammar, conversation).
Required Text:
Ronelle Alexander & Olga Mladenova, Intensive Bulgarian
Prerequisite: Slavic 28A or equivalent.
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Slavic 36 (3 units)
Irina Paperno, ipaperno@berkeley.edu
TT 3:30-5
Great Books of Russian Literature
L&S Breadth:
Arts & Literature
In this course, aimed at all students, regardless
of whether or not they love literature or know Russian, we
will read prominent works of Russian literature that have
been significant events in literary and moral history. The
three books, Leo Tolstoy, Anna Karenina, Fyodor Dostoevsky,
The Idiot, and Boris Pasternak, Doctor Zhivago,
are chosen to stimulate discussion of what is (and what may
not be) a great book and how we can read books with benefit
to our lives.
The following query appears on an on-line literature
forum:
is “anna karenina“ the best novel
ever or not?
can’t have my own opinion since i havent
read it yet, but i’ve heard so much about this book...
is it really the most valuable book ever? opinions please.
Vladimir Nabokov was of the opinion that Anna
Karenina was “the greatest love story in world
literature.” Tolstoy himself would disagree. He wrote
to a friend (who was a literary critic): “I'm at work
at the moment on that dreary, vulgar Anna Karenina and all
I ask God is that he give me the strength to be rid of it
as soon as possible to free some space for more important
matters.” As for Dostoevsly’s The Idiot,
a contemporary critic voiced praise for the hero, not the
novel, deeming The Idiot to be “the most realistic
character” that Russia could possess. Boris Pasternak
received the Nobel Prize for Literature for Doctor Zhivago
in 1958 (the Soviet government would not allow him to receive
the award). Meanwhile, Nabokov famously maintained that Doctor
Zhivago was a piece of muddled and sentimental pulp fiction
written by a good poet.
Students in this course are expected to read
slowly and carefully, participate in discussion, and write
papers.
Prerequisite: None. Course
and readings are in English.
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Slavic 39E (3 units)
Anne Nesbet, nesbet@berkeley.edu
M-F 10-11
Lower Division Seminar: "Science Fiction"
L&S Breadth:
Arts & Literature
This lower-division seminar examines some
of the many ways problems of space and time have captured
the imaginations of writers and filmmakers over the past
hundred years. There is a long and honorable tradition of
using tales of travel in space and time as a cover for the
writer’s criticisms (sometimes veiled, sometimes quite
direct) of his/her local social environment. In the first
half of the course, we will pay particular attention to
the way the revolutionary aspirations of Soviet (and pre-Soviet)
Russia emerged in the form of science fiction. During the
seminar’s second half, we will move beyond the geographical
confines of Russia to sample a variety of twentieth-century
mediations on the joys and perils of time travel.
Texts: TBA
Prerequisite: None.
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Slavic 46 (3 units)
Jonathan Stone, jcstone@berkeley.edu
TT 12:30-2
20th-Century Russian Literature
L&S Breadth: Arts & Literature
This course will provide an overview of the history
of Russian literature throughout the twentieth century. We will
follow the rise and fall of the century’s numerous dominant
cultural models (modernism, early Soviet and émigré
life, Stalinism, post-Stalinism, unofficial art and literature,
glasnost’, and post-communism). Among the topics we will
consider are the complex interaction of politics and aesthetics,
the cultural status of Russian writers, the position of the intellectual,
and the role of literature in the context of this era’s
wildly divergent cultural and historical situation. Readings will
consist of a representative variety of prose and poetry spanning
the entire century.
Texts:
Andrei Bely, Petersburg
Stray Dog Cabaret
Vladimir Nabokov, The Eye
Valentine Kataev, Time, Forward!
Mikhail Bulgakov, The Master and Margarita
Aleksandr Solzhenitsyn, One Day in the Life of Ivan Denisovich
Venedikt Erofeev, Moscow to the End of the Line
Boris Akunin, The Winter Queen
Course reader containing shorter works by Anton Chekhov, Ivan
Bunin, Mikhail Zoshchenko, Isaac Babel, Joseph Brodsky, Liudmila
Petrushevskaia, and Viktor Pelevin
Prerequisites: None. Lectures and
readings in English.
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Slavic 50 (3 units)
Faculty Supervisor: Prof. Frick
GSI: TBA
TT 9:30-11
Introduction to Slavic Peoples and Cultures
L&S Breadth: International
Studies OR Social and Behavioral Sciences OR Arts & Literature
This course is designed to familiarize the student
with the major topics and events of Slavic cultural history, from
their pre-historic origins to 21st century issues of identity
and socio-politics. Readings will come from a variety of sources
including historical chronicles and saints' lives, fairy tales,
poetry, short stories, excerpts from novels, mass media and scholarly
articles. In addition, three subtitled films highlighting different
aspects and eras of Slavic culture will be screened during the
semester. Students will be graded on class preparation and participation,
two short papers, a midterm, and a final exam.
Class discussion and all readings will be
in English. Students with no prior background in Slavic language,
literature, or history are welcome and encouraged to enroll.
Slavic 50 is required
of majors in Russian/East European/Eurasian cultures.
Texts:
A reader.
Prerequisites: None.
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Slavic 103B (4 units)
Arkady Alexeev, arkalexeev@yahoo.com
MWF 9-10
Advanced Russian (Part II)
This course covers three main aspects of an advanced
Russian course: grammar, syntax, and reading. The grammar is reviewed.
Syntax deals with practical aspects of simple and compound sentences.
Readings introduce mostly contemporary authors. The course is
taught in Russian. There are weekly quizzes on grammar, syntax,
and reading, one midterm and the final exam. Weekly discussion
or conversation section. Grades based on 30% quizzes, 30% midterm,
and 40% final.
Texts:
I. Pulkina, Russian (prepared by instructor)
Advanced Russian Syntax Part II
Russian Reader
Prerequisite: Slavic 103A or equivalent.
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Slavic 105B (4 units)
Arkady Alexeev, arkalexeev@yahoo.com
MWF 11-12
Advanced Russian/English/Russian Translation
Slavic 105B, being a continuation of Slavic
105A, will have both oral interpretation and written
translation represented in it. This time, these two aspects will
have equal emphasis in the course. Oral translation (interpretation)
will be expanded to cover not only informal casual situations
but also formal meetings using the methods of consecutive and
simultaneous translation. The latter is an especially highly valued
skill. Certified consecutive and simultaneous interpreters are
in high demand in conferences and official meetings. The written
translation part will build on the material studied in 105A by
expanding its scope to included scientific, legal and economic
texts. Literary translation, including poetic, will also be studied.
Texts:Reader
Prerequisite: Slavic 105A or consent
of instructor.
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Slavic 106A (3 units)
Anna Muza, amuza@berkeley.edu
MWF 11-12
Advanced Russian for Heritage Speakers
The course is aimed at "heritage speakers"
of Russian, i.e., those who grew up speaking Russian in the family
without a standard Russian educational background. The advanced
course aims at building a sophisticated vocabulary and developing
advanced reading ability, as well as fostering the students’
awareness of the Russian cultural canon and contemporary culture
and society.
Texts: To be announced in class.
Prerequisites: Advanced speaking
and reading proficiency in Russian, placement test, and/or consent
of instructor.
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ANNOUNCEMENT FOR NATIVE
OR HERITAGE SPEAKERS ENROLLING IN UPPER-DIVISION POLISH, CZECH,
BCS, OR BULGARIAN LANGUAGE COURSES
Enrollment in Slavic 115AB, 116AB, 117AB,
118AB is limited to non-native and heritage speakers. Native speakers
- defined as those who have completed eighth-grade education (or
higher) in the country of their
birth - may enroll only with permission of the instructor. Such
students are
welcome, however, in literature and culture courses taught in the
original
language (Slavic 151-152, 161-162, 171-172).
Slavic 115B (4 units)
Malgosia Szudelski, szudelska@berkeley.edu
MWF 1-2
Advanced Polish
The course gives you an opportunity to broaden your
knowledge about Polish grammar and how to use it in active communication.
The goal of the course is to improve the fluency of your oral
and written communication skills in Polish. You will learn through
classroom exercises based on a modern textbook, completion of
individual and group assignments, work with various audio materials,
and some supplementary readings as assigned. The course will contain
the following major components: grammar, pronunciation, reading,
writing short essays and other short texts, some translation of
short texts, and conversation about a variety of topics.
The advanced 115B course, preceded by the fall 115A
course, focuses on the modern standard Polish language and is
taught in Polish with explanations in English if necessary. The
course is designed for students who have completed the 115A course
and students with intermediate and advanced skills in understanding
and using Polish language. Class attendance as well as active
participation in exercises and conversations is expected. Ability
to work in team is a desired and especially valued skill.
All assignments shall be completed on time. All missed
assignments and exams have to be made up for. Your final grade
will be based on your accumulation of points through class attendance,
completion of homework assignments, midterm exams and final exam.
I addition your final grade will be impacted by your active participation
and ability to cooperate with fellow students.
Texts: Set of 2 books (the same as for the
course Slavic 115A) “HURRA!!! POLISH 2” with
CDs (student’s book + workbook):
PO POLSKU 2. PODRECZNIK STUDENTA, Agnieszka
Burkat, Agnieszka Jasinska, ISBN 83-60229-03-1
PO POLSKU 2. ZESZYT CWICZEN, Agnieszka
Burkat, Agnieszka Jasinska, ISBN 83-60229-13-9
Prerequisite: Slavic 115A or permission
of the instructor.
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Slavic 117B (4 units)
Faculty Supervisor: Prof. Alexander, ralex@berkeley.edu
GSI: TBA
MWF 2-3
Advanced Bosnian/Croatian/Serbian
L&S Breadth: International
Studies
Spoken and written language; advanced grammar review;
reading of texts from various authors and cultural sources on
Bosnia, Croatia and Serbia; advanced writing and conversation;
oral presentations. Grades based on class participation, completion
of written and oral assignments, midterm and final exam.
Texts:
Ronelle Alexander and Ellen Elias-Bursac, Bosnian, Croatian
Serbian: A Textbook with Exercises and Basic Grammar (required)
Ronelle Alexander, Bosnian, Croatian, Serbian: A Grammar with
Sociolinguistic Commentary (recommended)
Packet of course materials available from instructor.
Prerequisites: Slavic 117A or equivalent.
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Slavic 120B (2 or 3 units)
Lisa Little, lclittle@berkeley.edu
MWF 1-2
Advanced Russian Conversation and Communication
This course focuses on oral communication skills.
The goal is to help students develop confidence and begin to
feel comfortable conversing in Russian on various topics beyond
routine social and survival needs. Since communication often
breaks down when comprehension is poor, part of the class will
be devoted to improving listening skills and building vocabulary.
The course may be taken for two or three credits.
Those students taking the course for two credits will come to
class on Mondays and Wednesdays and do the assignments for those
days. Students who choose to take the course for three credits
will attend on Fridays as well. Together they will decide on
a project (or projects) for the semester. It might be publishing
a newspaper, writing and staging a play, filming a movie...
or, judging by previous semesters, students may prefer to each
take a turn planning and directing an interactive class based
on their own interests (in consultation with the instructor).
The Monday/Wednesday students will have regular
home assignments to prepare for the next day’s class.
There will be an oral test (one-on-one with the instructor)
every 3 weeks or so. At the end of the semester there will be
a final oral interview (with a less formal one at the beginning
of the semester as a point of comparison).
Text: All materials to be supplied
by instructor during the course of the semester.
Prerequisites: Slavic 4 or consent
of instructor.
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Slavic 130 (4 units)
Viktor Zhivov, zhiv@berkeley.edu
TT 2-3:30
The Culture of Medieval Rus'
This
Course is Cross-Listed with History 100, Sec. 5
L&S Breadth: Historical
Studies OR Arts & Literature
The course presents an introduction to the medieval
culture of East Slavic peoples, precursors of the Russians, Ukrainians,
and Belorusians. The formation of the specific Russian worldview
well known from the writings of Dostoevsky and Tolstoy is analyzed
from a historical perspective, extending from the pagan prehistory
through the slow advance of Christian civilization up to the turmoil
of the reign of Ivan the Terrible in the sixteenth century. Particular
attention is paid to the Orthodox spirituality and its Byzantine
background. The repercussions of Christianization for cultural
and political practices are described in the framework of political
and intellectual history. Icon painting, rituals, folklore, and
literature are discussed in their cultural and social context.
All readings are in English.
There will be one midterm paper of 4-6 pages, based
on one of the topics discussed in the class (or another topic
chosen by the students in consultation with the instructor), and
one final examination. The final grade will be determined according
to the following distribution: midterm paper 33%, class participation
17%, final examination 50%.
Texts:
Hamilton, George Heard. The Art and Architecture of Russia.
3rd ed.
Martin, Janet. Medieval Russia 980 – 1584.
Ware, Timothy. The Orthodox Church. Rev. ed.
Zenkovsky, Serge A. Medieval Russia’s Epics, Chronicles,
and Tales. Rev. and exp. ed.
Prerequisites: None. Course and
readings are in English.
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Slavic 134C (4 units)
Olga Matich, omatich@berkeley.edu
TT 3:30-5
Dostoevsky
L&S Breadth: Philosophy
& Values OR Arts & Literature
Fyodor Dostoevsky's fiction reflects the crisis
in traditional values experienced by young Russian intellectuals
in the middle of the 19th century. Influenced by modern European
thought, they espoused atheism, a Western identity, and radical
politics. What makes Dostoevsky’s representation of the
intellectual and social climate of his time so compelling is that
he also examines it in a broad religious and ethical context.
He transforms the Russian crisis of modernity in the 1860s into
the modern dilemma of the individual’s relation to God.
The central moral question to which Dostoevsky’s characters
seek an answer is whether moral nihilism, or moral relativism,
is the inexorable consequence of atheism. Yet despite the profoundly
moral aspect of his novelistic world, Dostoevsky does not offer
a single authoritative message, leaving the reading of his works
open to various interpretations.
We will read the major novels as great works of
literature, looking closely at the ways Dostoevsky develops ideas,
characters, and plot. The main issues that we will consider are
the ethical and religious dilemmas of the characters and their
radical social utopianism. We will also look at the ways he interrogates
the psychology of his characters and represents the city, national
identity, class, and gender. These will be discussed against the
background of the reception of Western ideas and Russian literature's
moral and social role in developing a blueprint for restructuring
society.
Texts:
Fyodor Dostoevsky, The Double
Fyodor Dostoevsky, Notes from the Underground (Norton)
Fyodor Dostoevsky, Crime and Punishment (Norton)
Fyodor Dostoevsky, The Idiot (Vintage Classics)
Fyodor Dostoevsky, Brothers Karamazov (Farrar, Straus
& Giroux)
Prerequisites: None. Classes and
readings in English.
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Slavic 134R (1 unit)
Option: Research in Russian Literature for
134C
This course is designed to support a research
project coordinated with Slavic 134C supervised by the instructor.
Individual consultation with the instructor. Final research
paper of 10-15 pages required.
Prerequisites: Enrollment
in Slavic 134C; consent of instructor.
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Slavic 134E (4 units)
Anna Muza, amuza@berkeley.edu
MWF 3-4
Chekhov
This Course is Cross-Listed
with Theater 166, Section 4
L&S Breadth: Arts
& Literature
The course is devoted to Chekhov’s narrative
fiction and dramatic art, and the inner connections between his
two major modes of writing. We will read closely his short stories
and plays, and situate Chekhov’s work both in its contemporary
literary and cultural context, and in a larger historical continuum.
We will discuss Chekhov’s collaboration with the Moscow
Art Theater, Konstantin Stanislavsky, and other leading artists
of the day. In a larger trans-national perspective, we will follow
the evolution of the concept and cultural myth of the ‘Chekhovian,’
and discuss the lasting impact of Chekhov’s art and artistic
persona on modern imagination.
The course will include classroom screenings and
discussions. There will be several quizzes checking your textual
knowledge, a mid-term examination, and a course paper.
Texts:
Selected stories of Anton Chekhov. Transl. by Larissa
Volokhonsky and Richard Pevear.
Chekhov. The Essential Plays. Transl. and ed. Michael
Henry Heim.
A course Reader.
Prerequisites: None. Readings are
in English.
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Slavic C139 (4 units)
Johanna Nichols (Slavic)
Richard Rhodes (Linguistics), rrhodes@berkeley.edu
TT 3:30-5
Language Spread
This Course is Cross-Listed
with Linguistics C139
L&S Breadth: Social &
Behavioral Sciences
Linguistic background and the general principles
of language spread. Mechanisms of language spread, including creolization-decreolization,
language planning, and the role of bilingualism. Case studies
in language spread, including Slavic and other Indo-European,
Austronesian, Amerindian, Uralic, African, Sinitic, and Australian
languages. Relationship of language spread to migration and culture
spreads.
The goal of this course is to introduce concepts
related to language contact that result in language spread. Linguistics
has long been interested in language change, but because of the
language internal view that is the legacy of descriptive linguistics,
the larger ecology of language interaction has for the most part
gone unnoticed. At a time in which the linguistic community as
a whole is concerned with endangered languages, it is important
to present the kind of overview that this course will provide.
The course is concerned with what happens when languages
spread, why it is that some languages have large ranges and many
speakers while others are much smaller.
Texts: TBA
Prerequisites: Upper division standing
or permission of instructor.
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Slavic 158 (4 units)
David Frick, frick@berkeley.edu
TT 3:30-5
Topics in Russian/East European/Eurasian Cultures:
"A Cultural History of Poland-Lithuania"
This Course is Cross-Listed
with History 174A, Sec. 1
L&S Breadth: Historical
Studies OR Social & Behavioral Sciences
This course will focus on the development of identities
within the constantly shifting borders of Polish-Lithuanian and
Polish states. Among the topics: competing definitions—ethnic,
confessional, linguistic, political—of Polishness; continuities
and discontinuities in Polish history and historiography; Poland
between East and West; the development of Polish self-perceptions;
Jewish, Lithuanian, and Ukrainian identities in the Polish context;
the Polish chapter in the events leading to the end of Communist
hegemony in Eastern Europe. Readings will be drawn from three
groups of sources: a) the textbook for the course Jerzy Lukowski’s
A Concise History of Poland, plus b) related critical
essays and c) primary sources (in English translation) ranging
from religion and politics to belles lettres. The course’s
format will combine lectures and discussion.
Course requirements: readings;
attendance in class and participation in discussion; two midterms
and a final exam. Option for graduate students: instead of the
midterms and final, a research paper on a topic to be discussed
with the professor.
Texts:
Jerzy Lukowski, et al., A Concise History of Poland;
and a xeroxed reader.
Prerequisites: None.
Slavic 158 is a Cultural
Topics requirement for majors in the East European or Eurasian
cultures track in the Slavic department.
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Slavic 170 (3 units)
Ronelle Alexander, ralex@berkeley.edu
MWF 10-11
Survey of Yugoslav Literatures
L&S Breadth: Arts &
Literature
The class will consist of four components, labeled
roughly Bosnian, Croatian, Serbian and "European". Within
each component we will read one book-length text written during
the time of Yugoslavia (defined broadly as 1918-1991) and one
written during the post-Yugoslav period (1991 to the present).
Lectures will consider these works both as literary creations
and as component parts of the complex historical phenomenon of
Yugoslavia (both as a successful state and then as an arena of
war). No prior knowledge of Yugoslav history is assumed, and all
readings are in English. Requirements: two essays, one book report,
final examination.
Texts:
David Albahari. Goetz and Meyer
Ivo Andric. The Bridge on the Drina
Vladimir Arsenijevic. In the Hold
Miloš Crnjanski. Migrations
Miljenko Jergovic. Sarajevo Marlboro
Danilo Kiš. A Tomb for Boris Davidovich
Miroslav Krlea. On the Edge of Reason
Dubravka Ugrešic, Culture of Lies
[selected short stories by certain of the above authors]
Prerequisites: None. Course
and readings are in English.
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Slavic 182 (4 units)
Luba Golburt, lgolburt@berkeley.edu
TT 12:30-2
"Pushkin and Others"
L&S Breadth: Arts &
Literature
A survey of Alexander Pushkin's principal works,
treated in relation to his life and his place in Russian and European
literary culture. The course will also briefly consider the reception
of Pushkin’s work by later Russian writers. In addition
to familiarizing students with Pushkin’s work, the course
intends to develop their fluency in academic Russian and equip
them with stylistic and rhetorical tools for analyzing literature
in Russian. To that end, all readings, discussions and assignments
are in Russian.
Texts: A reader.
Prerequisites: Slavic 103B or consent
of instructor.
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Slavic 200 (0 units)
David Frick, frick@berkeley.edu
M 4-7
Graduate Colloquium
Reports on current scholarly work by faculty and
graduate students. Must be taken on a satisfactory/unsatisfactory
basis. Graduate students must enroll in this course every
semester in residence.
Prerequisites: Restricted to graduate
students in the Slavic department.
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Slavic 201 (4 units)
Anna Muza, amuza@berkeley.edu
MW 1-2:30
Advanced Russian Proficiency Maintenance
Russian language course for graduate students from
various disciplines. May be taken for 2-3 credits, with consent
of instructor. Focus on advanced idiomatic vocabulary, stylistic
awareness, advanced/academic conversation.
Texts: None.
Prerequisites: Graduate standing;
consent of instructor.
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Slavic 234 (4 units)
Ronelle Alexander, ralex@berkeley.edu
F 2-5
South Slavic Linguistics
Selected issues in the history, structure, and dialectology
of South Slavic languages: Slovene, BCS (comprising Bosnian, Croatian,
Serbian and the evolving Montenegrin standard), Macedonian, and
Bulgarian. Most reading will be in English, some also in Russian,
French and/or German. Knowledge of BCS or Bulgarian highly desirable
but not essential. Some practical exercises and/or short papers;
final research paper.
Texts: Class reader.
Prerequisites: Slavic 220 or permission
of instructor.
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Slavic 242 (4 units)
Viktor Zhivov, zhiv@berkeley.edu
W 2:30-5:30
History of the 18th Century Russian Literature
The course encompasses the literary development
of the early modern period (from the second half of the seventeenth
century to the end of the eighteenth century) treating in an essentially
chronological order the main figures of the literary canon (Feofan
Prokopovich, Antiokh Kantemir, Trediakovskii, Lomonosov, Sumarokov,
Fonvizin, Cathrine the Great, Derzhavin, Radishchev, Karamzin).
The process of literary development will be analyzed as an interaction
between literature as such and its cultural and social contexts.
During the period under discussion, literature was conceptualized
as an “European” institution, as an innovation produced
by the process of “europeanization” and modernization
of the Russian society. Literary activity can be regarded as one
of the rhetoric strategies connected with the formation of a new
“European” imperial elite, as a social experiment
of sorts. The innovative nature of literature turns literary activity
into a social adventure, into a search for a future social status
of this activity.
Due to the fact that literature was perceived as
a European innovation any notion of a national literary past was
rejected from the start; it was partly substituted by a generalized
reception of the West European literary tradition. This rejection,
nevertheless, did not exclude the inevitable continuity of the
literary process. Attitudes and ideas which had been formed in
the preceding epochs left their mark on the reception of West
European literary theories and models, on the making of the hierarchy
of genres, and on their functioning. This process of reception
and radical transformation will be one of the focal topics of
the course.
Lectures will be read in Russian, readings and discussion
will be both in Russian and English.
Prerequisite: Graduate standing;
consent of instructor.
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Slavic 281 (4 units)
Eric Naiman, naiman@berkeley.edu
Th 2-5
Proseminar: Aims and Methods of Literary
Scholarship
This class has three aims. First, it seeks to explore
the notion of professional standards. How should scholarship be
done? How does literary "science" evolve and what is
the role of the individual author in both literature and scholarship?
Second, we will examine a number of approaches to literary texts,
all of which raise the question of scholarly contextualization.
Finally we will engage in a sustained collective analysis of Bulgakov's
Master i Margarita. We will use Bulgakov's novel as a
proving ground for various scholarly methodologies. In many respects,
our exercise will be one of importation. How well do methodologies
developed in the reading of English literature and scholarship
"work" when applied to an important work of twentieth-century
Russian prose?
Our seminars will be divided between discussion
of theoretical works and close reading of Master i Margarita.
Participants will be responsible for presentations that will initiate
discussion of specific chapters of Bulgakov's novel. Those taking
the course for a letter grade should write a paper on some aspect
of that book.
In addition to Master i Margarita you might
want to purchase the following books:
Bakhtin, Mikhail. The Dialogic Imagnination (Austin:
University of Texas Press, 1981)
Eagleton, Terry. Ideology: An Introduction (London: Verso,
1991).
Gallagher, Catherine and Greenblatt, Stephen. Practicing New
Historicism (Chicago: University of Chicago Press, 1999).
Garros, Véronique, Korenevskaya, Natalia, and Lahusen,
Thomas. Intimacy and Terror: Soviet Diaries of the 1930s
(New York: The New Press, 1995.)
Miller, D.A. The Novel and the Police (Berkeley: UC Press,
1988)
Weeks, Laura D. The Master & Margarita: A Critical Companion
(Evanston: Northwestern University Press, 1996).
Prerequisites: Graduate standing;
consent of instructor.
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Slavic 287 (4 units)
Luba Golburt, lgolburt@berkeley.edu
Tu 3-6
Russian Poetry: “The Russian Poetic
Tradition, 1780-1870”
This course introduces students to the Russian
poetic tradition, from late Classicism through Romanticism to
the poetic contemporaries of the Russian realist prose. Through
close readings of selected texts, we will explore the evolution
of Russian poetic language and genres, the shifting identity
of the Russian lyric subjects, and the changing stakes in the
encounter between the lyrical and the social, the personal and
the historical. Proceeding in a roughly chronological order,
the course will examine the works of such poets as Derzhavin,
Karamzin, Zhukovskii, Batiushkov, Pushkin, Boratynskii, Lermontov,
Tiutchev, Nekrasov and Fet.
Prerequisites: Graduate standing;
consent of instructor.
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Slavic 301, Section 1 (3 units)
Lisa Little, lclittle@berkeley.edu
M 2:30-4:30
Slavic Teaching Methods: Slavic 1-4
This course is required of all Graduate Student
Instructors of Slavic 1-4.
Course to be repeated for credit each semester
of employment as graduate student instructor. Course
on practical teaching methods, grading, testing, and design of
supplementary course materials. Must be taken on a satisfactory/unsatisfactory
basis.
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Slavic 301, Section 2 (3 units)
Olga Matich, omatich@berkeley.edu
Tentative Time: MWF 8-9
Teaching Methodology: Reading & Composition
This course is required of all Graduate Student
Instructors teaching Reading & Composition courses in the
Slavic Department.
Course to be repeated for credit each semester
of employment as Graduate Student Instructor. The purpose
of this course is to introduce new GSIs to teaching Slavic R5A
and R5B. It will focus on preparation of teaching materials, including
syllabi, and discussion of questions of pedagogy (teaching literature
and writing, lecturing, leading class discussions, designing writing
assignments, grading and formulating responses to student papers,
working with students individually and in small groups). The course
will help you prepare for a career as a college teacher of literature
and for the teaching component of job applications. Must
be taken on a satisfactory/unsatisfactory basis.
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Slavic 301, Section 3 (3 units)
Ronelle Alexander, ralex@berkeley.edu
Tentative Time: MWF 8-9
Teaching Methodology: BCS and Bulgarian
This course is required of all Graduate Student
Instructors of Bulgarian and BCS: Slavic 27A-B, 28A-B, 117A-B
and 118A-B.
Course to be repeated for credit each
semester of employment as graduate student instructor.
Course on practical teaching methods, grading, testing, and
design of supplementary course materials. Must be taken
on a satisfactory/unsatisfactory basis.
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Slavic 301, Section 4 (3 units)
David Frick, frick@berkeley.edu
Tentative Time: TT 8-9:30
Teaching Methodology: Czech and Polish
This course is required of all Graduate Student
Instructors of Czech and Polish: Slavic 25A-B, 26A-B, 115A-B
and 116A-B.
Course to be repeated for credit each
semester of employment as graduate student instructor.
Course on practical teaching methods, grading, testing, and
design of supplementary course materials. Must be
taken on a satisfactory/unsatisfactory basis.
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Slavic 310 (2 units)
The Staff
Internship in the Teaching of Literature/Linguistics
Weekly meetings with the instructor of the designated
course. Discussion of course aims, syllabus preparation, lecture
and assignment planning, grading and related matters. Students
may prepare a representative portion of the work for such a course
(e.g. lecture outline and assignments for a course segment) and
may participate in presentation of the material and in evaluation
of samples of student work. May be repeated for credit.
Prerequisites: Slavic graduate
student status and consent of instructor.
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EAST EUROPEAN STUDIES COURSES
HUNGARIAN AND ROMANIAN LANGUAGES
East European Studies 1B (3 or 4 units)
Gergo Tóth, gergo@berkeley.edu
MWF 9-10
Elementary Hungarian
East European Studies 1B is a continuation of 1A.
The course aims at further developing the fundamentals of language
proficiency through conversational practice, and oral and written
assignments. Its most important goal is to provide the students
with the requisite vocabulary and grammatical structures to carry
on an idiomatic conversation in a variety of situations. It offers
selections from Hungarian poetry and folk songs to help students
gain a better understanding of Hungarian culture. Frequent oral
and written assignments will be given; there will be a midterm
and a final exam. The course can be taken for either 3 or 4 units;
the additional unit involves extra written and reading assignments.
Texts:
Colloquial Hungarian by Erika Solyom and Carol Rounds,
Routledge
Prerequisites: East European Studies 1A; consent
of instructor.
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East European Studies 2B (3 units)
Suzan Negip-Schatt, snschatt@berkeley.edu
MWF 1-2
Introductory Romanian
East European Studies 2B is a continuation of 2A. This
is part 2B of East European Studies 2A (Beginning Romanian) which
is taught as a two semester sequence. Some previous knowledge
of Romanian is required or successful completion of part 2A.
This course aims at further developing proficiency in reading
comprehension, vocabulary extension, grammar structures and writing.
In addition, it will assist students in developing their speaking
abilities as well as listening comprehension. The cultural aspects
of language learning will be stressed across four language skills:
reading, writing, listening comprehension and speaking. There
will also be lectures illustrated by videos to promote conversation
and class discussion, and to acquaint the students with different
aspects of Romanian culture and history.
Texts:
Botoman, R. (1995). Discover Romanian. An Introduction to
the Language and Culture. Ohio State University Press, Columbus,
OH.
Supplemental materials provided by instructor.
A list of relevant websites and other reference materials will
be provided at the start of the course.
Prerequisites: Completion of East European Studies
2A or permission from instructor.
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East European Studies 100 (2 units)
Gergo Tóth, gergo@berkeley.edu
WF 10-11
Advanced Hungarian Readings
This class requires prior knowledge of the Hungarian
language. The purpose of the class is to further develop the students'
level of language proficiency in speech as well as in writing.
A major component of the curriculum is based on student presentation
of a topic chosen by each student in the class. Each student is
to give two oral presentations during the semester. Materials
for reading are selected by the instructor as well as by the students
for home reading. Workload will include a reasonable amount of
reading and writing assignments. Midterm and final exams, and
the student's attendance and participation will provide the basis
for grading.
Texts: Various photocopied and
internet materials, and readings chosen by the students.
Prerequisite: East European Studies
1A-lB or consent of instructor.
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EURASIAN STUDIES COURSES
ARMENIAN LANGUAGE
Eurasian Studies 1B (3 units)
Santoukht Mikaelian, santoukht@berkeley.edu
TT 11-12:30
Beginning Armenian
Eurasian Studies 1B is a continuation of
1A. This course is for students who have little previous
knowledge of Armenian, or who have successfully completed part
A. Proficiency in the four language skills, listening, speaking,
reading and writing is developed. Modern Western Armenian is taught
primarily, but students who would like to learn Eastern Armenian
are also accommodated. Armenian is taught as one language. Commonalities
are highlighted and the differences recognized and taught.
Among the requirements are oral participation in
class, homework, weekly quizzes, two small midterm projects, a
final project with presentation, two midterm tests, and a final
test.
Required Text:
Gayane Hagopian, Armenian For Everyone, Western and Armenian
in Parallel lessons, Abril Books, Los Angeles, 2007, or same book,
Caravan Books, Ann Arbor 2005.
Prerequisites: Eurasian Studies
1A; consent of instructor.
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Eurasian Studies 101B (3 units)
Santoukht Mikaelian, santoukht@berkeley.edu
TT 12:30-2
Continuing Armenian
This is part B of Continuing
Armenian, which is a two semester sequence.
Eurasian Studies 101B is a continuation
of 101A. The purpose of this course is to further develop
students' Armenian proficiency in all four language skills, using
discussion, oral presentations, written assignments and a variety
of readings (literature, non-fiction, folklore, newspaper articles,
etc.) chosen partly for their cultural significance and partly
based on student needs and interests. Particular skills e.g. (reading),
are emphasized, depending on student needs and interests. Three
hours of class per week. Course may be repeated for credit.
Among the requirements are participation in class,
homework assignments, two small midterm projects, and a final
project with a final presentation.
Recommended Text:
Gayane Hagopian, Armenian For Everyone, Western and Eastern
Armenian In Parallel Lessons, Abril books, Los Angeles 2007, or
same book, by Caravan Books, Ann Arbor, 2005.
Prerequisites: Eurasian Studies
101A; consent of instructor.
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