Mark B. Sandberg
 
Associate Professor of Scandinavian
Ph.D. University of California, Berkeley (Scandinavian)
sandberg@berkeley.edu
 

Teaching Experience: Scandinavian film history; Ibsen; Norwegian literature; Scandinavian drama; 19th-century Scandinavian cultural history. Approach to material emphasizes historical methodologies and interdisciplinary approaches to literature and visual media.

Research Interests: The visual and cultural history of turn-of-the-century Scandinavia, including fields of early film history, museology, media studies, theater history, and Scandinavian architecture and design.

Current projects: Metaphors of housing in Ibsen's prose plays; the silent films of Carl Theodore Dreyer; Space, time, and display in turn-of-the-century visual culture.

Selected publications

Book:

Living Pictures, Missing Persons: Mannequins, Museums, and Modernity. Princeton: Princeton University Press, 2003.

Articles:

“The Architecture of Forgetting.” Ibsen Studies 7.1 (2007).

“Doll Housing.” In Sanda Tomescu, ed., Henrik Ibsen, special issue of Studia Universitatis Babes-Bolyai, Philologia (Cluj, Romania; November 2006), 53-60.

John Gabriel Borkman’s Avant-Garde Continuity.” Modern Drama 49.3 (September 2006).

“Mastering the House: Performative Inhabitation in Carl Th. Dreyer’s The Parson’s Widow.” In C. Claire Thompson, ed. Northern Constellations: New Readings in Nordic Cinema. Norwich: Norvik Press (2006).

“Multiple-Reel Feature Films: Europe.” In Richard Abel, ed., Encyclopedia of Early Cinema. New York: Routledge (2005): 452-456.

“Wax Museums: Europe.” In Richard Abel, ed., Encyclopedia of Early Cinema. New York: Routledge (2005): 686-87.

“The Metropolitan Threshold: Material Mobility and the Folk-Primitive.” Kristin Kopp and Klaus Müller-Richter, eds. Die “Großstadt” und das “Primitive”: Text - Politik - Repräsentation. Stuttgart: Verlag J.B. Metzler (2004): 93-112.

"Pocket Movies: Souvenir Cinema Programs and the Danish Silent Cinema," Film History 13.1 (Fall 2001).

"Ibsen and the Mimetic Home of Modernity." Ibsen Studies 2 (Spring 2001).

"Maternal Gesture and Photography in Victor Sjöström's Ingeborg Holm." Ann-Charlotte Gavel Adams and Terje I. Leiren, eds. Stage and Screen: Studies in Scandinavian Drama and Film. Essays in Honor of Birgitta Steene. Seattle: Dream Play Press Northwest (2000).

"Writing on the Wall: The Language of Advertising in Knut Hamsun's Sult." Scandinavian Studies 71.3 (Fall 1999): 265-296.

"Tracking Out: The 'Bergman Film' in Retrospect." Review Essay. Scandinavian Studies 69.3 (Summer 1997): 357-376.

"Effigy and Narrative: Looking into the Nineteenth-Century Folk Museum." In Cinema and the Invention of Modern Life. Eds. Leo Charney and Vanessa Schwartz. Berkeley: University of California Press (1995): 320-361.

"Rewriting God's Plot: Ingmar Bergman and Feminine Narrative." Scandinavian Studies 63.1 (Winter 1991): 1-29.

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University of California, Berkeley, Department of Scandinavian
Contact | March 2, 2007