fall 2001, volume 9, number 2
Esther Zaplana, "Remedios Varo:
Fantastical Musical Spaces and the Boundaries of Gender"
Traviata Forum
Heather Wiebe, "Spectacles of Sin and Suffering:
La traviata in Victorian London"
Heather Hadlock, "The Passion of Violetta,
According to Zeffirelli"
H. Marshall Leicester, Jr, "In and Out of Opera:
Technologies of Jouissance in La traviata"
spring 2001, volume 9, number 1
Karen Tongson, "The Cultural Transnationalism of
Thomas Moore's Irish Melodies"
Michael Markham, "The Usefulness of Such Artworks’: Expression, Analysis, and Nationalism in
The Art of Fugue"
Jeremy Grimshaw, "The Sonic Search For Kolob:
Mormon Cosmology and the Music of La Monte Young"
spring-fall 1999-2000, volumes 7 and 8
CROSSING OVER
John Shepherd, Jocelyne Guilbault,
P. Murray Dineen, "Introduction"
Part I: Institutions, Ideologies, Positions,
and Power
David Gramit, "The Roaring Lion: Critical Musicology,
the Aesthetic Experience, and the Music Department"
P. Murray Dineen, "Adorno, Jitterbug, and the
Adequate Listener"
Richard Middleton, "Who May Speak? From a
Politics of Popular Music to a Popular
Politics of Music"
John Shepherd and Peter Wicke,
"Re-Thinking Music: Disciplinary Implications"
Part II: Music and Economies of Exchange
Will Straw, "Music as Commodity and Material Culture"
Regula Burckhardt Qureshi,
"Confronting the Social: Mode of Production and
the Sublime in Hindustani Music"
Gary Tomlinson, "Montaigne's Cannibals' Songs"
Part III: Performing Sexuality and Gender
Philip Brett, "Piano Four Hands: Schubert and the Performance of Gay Male Desire"
Lori Burns, “Genre, Gender, and Convention
Revisited: k.d. lang's Cover of Cole Porter's
"So in Love”
Part IV: Solidarities and Identities Through Music
George Lipsitz, "The History of the Present is
Not Being Written: Music and Memory in the
Transnational Economy"
Line Grenier and Jocelyne Guilbault,
"Créolité and Francophonie in Music:
Socio-Musical Repositionings Where It Matters"
Beverley Diamond, "Theory from Practice:
First Nations Popular Music in Canada"
fall 1997, volume 6, number 2
Fred Everett Maus, "Learning from ‘Occasional’ Writing"
Judy Tsou, "Gendering Race: Stereotypes of
Chinese Americans in Popular Sheet Music"
Martin Scherzinger (with Neville Hoad),
"Anton Webern and the Concept of Symmetrical
Inversion:
A Reconsideration on the Terrain of Gender"
Robert Adlington, “Musical Temporality:
Perspectives from Adorno and deMan”
Julian Johnson, “Webern's ‘Middle Period’:
Body of the Mother or Law of the Father?”
Lloyd Whitesell, “Translated Identities in Britten's Nocturne”
spring-fall 1996, volume 5, numbers 1 and 2
Nationalism and Music
Richard Taruskin, "Introduction"
David E. Schneider, "A Context for Bela Bartok on
the Eve of World War II: The Violin Concerto (1938)"
Leslie A. Sprout, "Muse of the Revolution francaise or the Revolution nationale? Music and National
Celebrations in France, 1936-1944"
Beth E. Levy, "In the Glory of the Sunset’:
Arthur Farwell, Charles Wakefield Cadman, and
Indianism in American Music"
Klára Móricz, "The Confines of Judaism and the Illusiveness of Universality in Ernest Bloch's
Avodath Hakodesh (Sacred Service)"
Gregory Dubinsky, "Krenek's Conversions:
Austrian Nationalism, Political Catholicism, and
Twelve-Tone Composition"
Mary Hunter, "Introduction"
What Have They Done to My Song?
Work, Performance, and Meaning
Katherine Bergeron, "Uncovering Cole"
Wye J. Allanbrook, "The Death of a Queen"
Mary Hunter, "Window to the Work, or
Mirror of Our Preconceptions? Peter Sellars's
Production of Cosi fan tutte"
Judith A. Peraino, "Courtly Obsessions:
Music and Masculine Identity in Gottfried
von Strassburg's Tristan"
Fred Everett Maus, "Love Stories"
Paul Attinello, "Performance and/ or Shame:
A Mosaic of Gay (and Other) Perceptions"
Mark DeWitt, Aliya Abdulla, Ken Gonsalves,
Laura Irons, Whitney Jacobs,Margaret Ko,
Karen C. Kwong, Robert Nezami, and Gene
Kim Whitney, "Music in American Cultures:
An Anthology of Autobiographies"
Review
Kevin Bazzana, "Thirty-Two Short Films About
Glenn Gould"
spring 1995, volume 4, number 1
James Parakilas, "The Power of Domestication in
the Lives of Musical Canons"
Peter Mercer-Taylor, "Elvis Costello Opens His
Mouth Almighty"
Pegram Harrison, "Music and Imperialism"
Paul Attinello, "A Letter from Darmstadt"
fall 1994, volume 3, number 2
Josh Kun, "The Sound of Blacknuss: Rapping Master/Counter-narratives of the Hip Hop
Imagi-Nation"
Zoila Mendoza-Walker, "Contesting Identities
Through Dance: Mestizo Performance in the
Southern Andes"
Explorations:
Ralph P. Locke, "Women in American Musical Life:
Facts and Questions about Patronage"
Greg Downey, "Ladies Night at Exedus:
Dancing Humor, Sex, and Subversion"
spring 1994, volume 3, number 1
Elisabeth LeGuin, "Uneasy Listening"
Jennifer Rycenga, "The Uncovering of Ontology
in Music: Speculative and Conceptual
Feminist Music"
Hugh de Ferranti, "Speaking of Yamashika:
‘the last biwa hoshi’ and hismany voices"
Suzanne G. Cusick, "Gender and the Cultural
Work of a Classical Music Performance"
fall 1993, volume 2, number 2
Sanna Pederson, "On the Task of the Music
Historian: The Myth of the Symphony after Beethoven"
Michelle Dulak, "The Quiet Metamorphosis of
‘Early Music"
Lieba B. Golden, "Giving You a Black I: L.L. Cool
J's Rap and Video ‘Mama Said Knock You Out’"
spring 1993, volume 2, number 1
David Patterson, "John Cage and the New Era:
An Obituary-Review"
Christopher A. Williams, "Of Canons & Context:
Toward a Historiography of Twentieth-Century Music"
Robert Fink, "Desire, Repression & Brahms's
First Symphony"
fall 1992, volume 1, number 2
Philip Brett, "Britten's Bad Boys: Male Relations
in The Turn of the Screw"
Francesca Rebollo-Sborgi, “Decentering the
Feminist Self”
Andrew Dell'Antonio, "The Sensual Sonata:
Construction of Desire in Early Baroque
Instrumental Music"
Paul Attinello, "Signifying Chaos: A Semiotic
Analysis of Sylvano Bussotti's Siciliano"
spring 1992, volume 1, number 1
Lawrence Kramer, "The Musicology of the Future"
Judith A. Peraino, "'Rip her to Shreds’: Women’s
Music According to a Butch-Femme Aesthetic”
Mitchell Morris, "On Gaily Reading Music"
Karen Pegley & Virginia Caputo,
"Growing up Female(s): Retrospective Thoughts on
Musical Preferences and Meanings"
Gregory Salmon, "Tutti accusan le donne:
Schools of Reason and Folly in Cosi fan tutte"